Johann Sebastian Bach, Göran Söllscher's 'Suite for Cello Solo No.2 in D minor, BWV 1008 - Transcribed for Solo Guitar by Göran Söllscher Transcribed for Solo Guitar by Göran Söllscher: 5. Menuet I/II' came out on January 1, 1992. The duration of Suite for Cello Solo No.2 in D minor, BWV 1008 - Transcribed for Solo Guitar by Göran Söllscher Transcribed for Solo Guitar by Göran Söllscher: 5. Menuet I/II is about two minutes long, specifically at 2:40. This song does not appear to have any foul language. Suite for Cello Solo No.2 in D minor, BWV 1008 - Transcribed for Solo Guitar by Göran Söllscher Transcribed for Solo Guitar by Göran Söllscher: 5. Menuet I/II's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Johann Sebastian Bach, Göran Söllscher's "J.S. Bach: Transcriptions for Guitar Solo" album is number 11 out of 18. Based on our statistics, Suite for Cello Solo No.2 in D minor, BWV 1008 - Transcribed for Solo Guitar by Göran Söllscher Transcribed for Solo Guitar by Göran Söllscher: 5. Menuet I/II's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Suite for Cello Solo No.2 in D minor, BWV 1008 - Transcribed for Solo Guitar by Göran Söllscher Transcribed for Solo Guitar by Göran Söllscher: 5. Menuet I/II by Johann Sebastian Bach, Göran Söllscher to be Allegro (fast, quick, and bright) because the track has a tempo of 148 BPM, a half-time of 74BPM, and a double-time of 296 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto Grosso in C Minor, Op. 2, No. 2: I. Adagio | Francesco Geminiani, Capella Istropolitana, Jaroslav Krcek | C Minor | 1 | 5A | 107 BPM | ||
The Fairy Queen, Z. 629, Act II: Air | Henry Purcell, Vox Orchester, Lorenzo Ghirlanda | B Major | 2 | 1B | 112 BPM | ||
The Well-Tempered Clavier: Book 1, BWV 846-869: I. Prelude in C Major, BWV 846 | Lang Lang | C Major | 1 | 8B | 134 BPM | ||
Nouvelles suites de pièces de clavecin, Suite in G Major, RCT 6: VI. Les sauvages (Arr. M. Grizard for Guitar) | Jean-Philippe Rameau, Raphaël Feuillâtre | E♭ Minor | 1 | 2A | 94 BPM | ||
Overture (Suite) In C Major, TWV 55: C6: I. Ouverture: Grave. Allegro. Grave | Cologne Chamber Orchestra, Georg Philipp Telemann | G Major | 3 | 9B | 116 BPM | ||
Trio Sonata in G Major, TWV 42:G10: III. Affettuoso | Georg Philipp Telemann, London Baroque | E♭ Minor | 1 | 2A | 82 BPM | ||
Concerto for Flute and Oboe in B Minor, FaWV L:h1: I. Allegro | Johann Friedrich Fasch, Jan De Winne, Marcel Ponseele, Il Gardellino | B♭ Minor | 2 | 3A | 93 BPM | ||
Concerto for Strings and Continuo in A Major, RV. 159: I. Allegro | Antonio Vivaldi, Simon Standage, Michaela Comberti, Jaap Ter Linden, The English Concert, Trevor Pinnock | E♭ Minor | 1 | 2A | 99 BPM | ||
Prelude In C Major, BWV 924 : Praeambulum In C Major, BWV 924 | Janos Sebestyen, Johann Sebastian Bach | C Major | 2 | 8B | 139 BPM | ||
Suite in G minor: IV. Bourree II (Arr. A. Camden) | George Frideric Handel, Anthony Camden, Julia Girdwood, City of London Sinfonia, Nicholas Ward | C Minor | 1 | 5A | 114 BPM |
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