"Grates nunc omnes reddamus Domino Deo (Sequence for Christmas, Midnight Mass)" by Traditional, Konrad Ruhland, Capella Antiqua München, Choralschola was released on 1977. With Grates nunc omnes reddamus Domino Deo (Sequence for Christmas, Midnight Mass) being less than two minutes long, at 1:38, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Traditional, Konrad Ruhland's "Konrad Ruhland Conducts Gregorian Chant" album is number 1 out of 63. In terms of popularity, Grates nunc omnes reddamus Domino Deo (Sequence for Christmas, Midnight Mass) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Grates nunc omnes reddamus Domino Deo (Sequence for Christmas, Midnight Mass) by Traditional, Konrad Ruhland, Capella Antiqua München, Choralschola to be Andante (at a walking pace) because the track has a tempo of 101 BPM, a half-time of 50BPM, and a double-time of 202 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Liturgical Chants: O Holy God | Valentin Silvestrov, Latvian Radio Choir, Sigvards Kļava | D♭ Major | 0 | 3B | 92 BPM | ||
The Day of Resurrection (Anastaseos Hemera) | Divna Ljubojevic | E♭ Minor | 2 | 2A | 107 BPM | ||
Szello zug (Breeze) | Lajos Bárdos, Tamás Vasvári, Nyiregyhaza Cantemus Children's Choir, Dénes Szabó | D Minor | 0 | 7A | 89 BPM | ||
Victimae Paschali Laudes Chant | Martin Pazdioch, Gregorian Chant | F Minor | 1 | 4A | 51 BPM | ||
Paradisus | Christian Chants, Gregorian Chants | D Minor | 0 | 7A | 121 BPM | ||
The Waves are Sleepy | St. Petersburg Optina Pustyn Male Choir | A♭ Major | 1 | 4B | 138 BPM | ||
Infinity | Kim André Arnesen, Alicia Rigsby, Kantorei, Joel Rinsema | F Major | 1 | 7B | 129 BPM | ||
Ukuthula | n/a, Traditional, Drakensberg Boys Choir | B Major | 1 | 1B | 55 BPM | ||
The English Dance Master, Part II: Newcastle | John Playford, Baltimore Consort | G Major | 2 | 9B | 108 BPM | ||
Missa rigensis (2002): Kyrie eleison | Ugis Praulins, Kammerchor I Vocalisti, Hans-Joachim Lustig | C Minor | 2 | 5A | 137 BPM |
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