"Concerto for Oboe and Harp: I. Andante e rubato" by William Alwyn, Jonathan Small, Eleanor Hudson, Royal Liverpool Philharmonic Orchestra, David Lloyd-Jones was released on December 12, 2006. Concerto for Oboe and Harp: I. Andante e rubato appears to be safe for all ages as it is not explicit. The song is number 8 out of 12 in Alwyn, W.: Concerto for Oboe, Harp and Strings / Elizabethan Dances / The Innumerable Dance by William Alwyn, David Lloyd-Jones. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. In terms of popularity, Concerto for Oboe and Harp: I. Andante e rubato is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Concerto for Oboe and Harp: I. Andante e rubato by William Alwyn, Jonathan Small, Eleanor Hudson, Royal Liverpool Philharmonic Orchestra, David Lloyd-Jones is Moderato (at a moderate speed), since this song has a tempo of 116 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
The music key of this track is C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Prélude in A Minor | Maurice Ravel, Benjamin Grosvenor | G Minor | 0 | 6A | 98 BPM | ||
Sonata alla toccata: II. Andante con moto e semplice | William Alwyn, Ashley Wass | E Major | 1 | 12B | 133 BPM | ||
24 Préludes, Op. 28: No. 15 Sostenuto in D-Flat Major, C. 180 "Raindrop Prelude" | Lang Lang | D♭ Major | 0 | 3B | 134 BPM | ||
Harvest Home: III. Harvest Moon | William Alwyn, Ashley Wass | E Major | 1 | 12B | 133 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 11 in D Minor | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | A Minor | 0 | 8A | 76 BPM | ||
3 Preludi Sopra Melodie Gregoriane, P. 131: I. Molto Lento | Ottorino Respighi, Konstantin Scherbakov | A♭ Minor | 0 | 1A | 70 BPM | ||
5 Preludes, Op. 16: IV. Prelude No. 4 in E-Flat Minor: Lento | Alexander Scriabin, Evgeny Zarafiants | A Minor | 0 | 8A | 129 BPM | ||
Chant du menestrel for Cello and Orchestra, Op. 71 | Alexander Glazunov, Alexander Rudin, Moscow Symphony Orchestra, Igor Golovschin | F♯ Minor | 0 | 11A | 87 BPM | ||
Music for Three Players: I. Prelude. Moderato e calmato | William Alwyn, Leland Chen, Joy Farrall, Julius Drake | G Major | 0 | 9B | 73 BPM | ||
Variations on an Original Theme, Op. 36, "Enigma" (version for piano): Theme | Edward Elgar, Ashley Wass | G Minor | 0 | 6A | 78 BPM |
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