Francisco José de Castro, Becky Baxter, Danny Mallon, Chatham Baroque's 'Sonata Settima: III. Tempo di Sarabanda' came out on January 1, 2000. With Sonata Settima: III. Tempo di Sarabanda being less than two minutes long, at 1:07, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 16 out of 24 in Chamber Music (Baroque) - Sanz, G. / Castro, F.J. De / Huete, D.F. De / Ortiz, D. / Falconieri, A. (Espanoleta) by Chatham Baroque. Sonata Settima: III. Tempo di Sarabanda is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Sonata Settima: III. Tempo di Sarabanda by Francisco José de Castro, Becky Baxter, Danny Mallon, Chatham Baroque is Grave (very slow), since this song has a tempo of 36 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
E♭ Minor is the music key of this track. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Oratorio Maria dolorata: Sinfonia | Leonardo Vinci, Andreas Scholl, Accademia Bizantina, Alessandro Tampieri | E Minor | 1 | 9A | 99 BPM | ||
Il Prigionier Superbo: I. 01 Allegro e spirituoso | Giovanni Battista Pergolesi, Boston Early Music Festival Chamber Ensemble, Paul O'Dette, Stephen Stubbs, Robert Mealy | D♭ Major | 3 | 3B | 158 BPM | ||
Sonata a Violoncello Solo G Major: Largo | Antonio Maria Bononcini, Michal Stahel, Martin Gedeon, Jan Cizmar, Soma Denyés | F♯ Major | 1 | 2B | 140 BPM | ||
Violin Sonata in G Minor, Op. 5 No. 5: III. Adagio (Version for Flute) | Arcangelo Corelli, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
Little Consort in Two Parts for Severall Friends in C minor-major: VII. Courante | Matthew Locke, Rachel Podger, Brecon Baroque | A♭ Minor | 2 | 1A | 112 BPM | ||
Violin Sonata in E Minor, Op. 6 No. 9: V. Minuet | Giovanni Mossi, Augusta McKay Lodge, Doug Balliett, Adam Cockerham, Elliot Figg | E♭ Minor | 1 | 2A | 61 BPM | ||
Concerto for Harpsichord in D Minor, BWV 1059r: III. Presto | Johann Sebastian Bach, Combattimento | D Minor | 5 | 7A | 95 BPM | ||
Sonatae unarum fidium - Sonata IV in D Major (Introduction - Sarabande - Guige - Allegro - Presto) | Johann Heinrich Schmelzer, Ensemble Castelkorn, Josef Žák | A♭ Major | 2 | 4B | 122 BPM | ||
Céphale et Procris, Act III Scene 3: Passacaille | Élisabeth Jacquet de La Guerre, Reinoud Van Mechelen, A Nocte Temporis | C Major | 2 | 8B | 78 BPM | ||
26 Sonatas: No. 9, Violin Sonata in A Major, B.A1 / GT 2.A01: IV. Menuet | Giuseppe Tartini, La Serenissima, Adrian Chandler | G Minor | 1 | 6A | 113 BPM |
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