Carl Orff, Brighton Festival Chorus, Royal Philharmonic Orchestra, Antal Doráti made "Carmina Burana / Uf dem Anger: "Were diu werlt alle min"" available on January 1, 1975. With Carmina Burana / Uf dem Anger: "Were diu werlt alle min" being less than two minutes long, at 1:00, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 25 in the song's album "Orff: Carmina Burana". In this album, this song's track order is #10. Based on our statistics, Carmina Burana / Uf dem Anger: "Were diu werlt alle min"'s popularity is below average in popularity right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Carmina Burana / Uf dem Anger: "Were diu werlt alle min" by Carl Orff, Brighton Festival Chorus, Royal Philharmonic Orchestra, Antal Doráti having a BPM of 130 with a half-time of 65 BPM and a double-time of 260 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 1/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Wagner: Der fliegende Holländer, WWV 63, Act 2: "Johohoe! Traft ihr das Schiff im Meere an" (Senta, Chorus) - Live | Richard Wagner, Concertgebouworkest, Anja Kampe, Andris Nelsons | G Minor | 1 | 6A | 76 BPM | ||
Turandot / Act 2: "Gravi, enormi ed impotenti" | Giacomo Puccini, John Alldis Choir, London Philharmonic Orchestra, Zubin Mehta | A♭ Major | 3 | 4B | 62 BPM | ||
Orfeo ed Euridice (Orphée et Euridice), Wq. 30 / Act 3: "Che farò senza Euridice?" | Christoph Willibald Gluck, Janet Baker, English Chamber Orchestra, Raymond Leppard | D Major | 1 | 10B | 96 BPM | ||
Carmina Burana / 3. Cour d'amours: "Veni, veni, venias" | Carl Orff, Brighton Festival Chorus, Royal Philharmonic Orchestra, Antal Doráti | D Minor | 6 | 7A | 154 BPM | ||
Go The Distance - From "Hercules" | Royal Philharmonic Orchestra | D Major | 2 | 10B | 85 BPM | ||
The Demon God - from 'Princess Mononoke' | Joe Hisaishi, Royal Philharmonic Orchestra | C Major | 3 | 8B | 136 BPM | ||
Mass In C, Op. 86: 1. Kyrie | Ludwig van Beethoven, Felicity Palmer, Helen Watts, Robert Tear, Christopher Keyte, Academy of St. Martin in the Fields, Stephen Cleobury, George Guest | E Major | 1 | 12B | 112 BPM | ||
Carmina Burana / 2. In Taberna: "In taberna quando sumus" | Carl Orff, Brighton Festival Chorus, Royal Philharmonic Orchestra, Antal Doráti | A Major | 4 | 11B | 142 BPM | ||
Bizet: Carmen, WD 31, Act 1: "Attention! Chut! Attention! Taisons-nous!" (Moralès, Dragons) | Georges Bizet, Ludovic Tézier/Choeur 'Les Elements'/Orchestre National du Capitole de Toulouse/Michel Plasson, Michel Plasson, Orchestre National Du Capitole De Toulouse | B♭ Major | 1 | 6B | 117 BPM | ||
Dreamweaver: 2. Dreamsong | Ola Gjeilo, Grace Davidson, The Choir of Royal Holloway, Royal Philharmonic Orchestra, Duncan Riddell, Rupert Gough | D♭ Minor | 2 | 12A | 86 BPM |
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