"4 Impromptus, D. 899, Op. 90: No. 1 in C Minor" by Franz Schubert, Murray Perahia was released on 1983. 4 Impromptus, D. 899, Op. 90: No. 1 in C Minor appears to be safe for all ages as it is not explicit. There are a total of 8 in the song's album "Schubert: Impromptus, D. 899 & D. 935". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United States. Based on our statistics, 4 Impromptus, D. 899, Op. 90: No. 1 in C Minor's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With 4 Impromptus, D. 899, Op. 90: No. 1 in C Minor by Franz Schubert, Murray Perahia having a BPM of 126 with a half-time of 63 BPM and a double-time of 252 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
F Minor is the music key of this track. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les Barricades Mystérieuses | François Couperin, Khatia Buniatishvili | B♭ Major | 0 | 6B | 149 BPM | ||
Orpheo ed Euridice, Wq. 30, Act II: Dance of the Blessed Spirits | Christoph Willibald Gluck, Eugene Ormandy, Philadelphia Orchestra | D Minor | 1 | 7A | 67 BPM | ||
A Midsummer Night's Dream, Op. 61: Scherzo (Transcr. by Sergueï Rachmaninov) | Felix Mendelssohn, Bertrand Chamayou | C Minor | 2 | 5A | 129 BPM | ||
Etude in D-Sharp Minor, Op. 8, No. 12: Patetico - Remastered | Alexander Scriabin, Vladimir Horowitz | D♭ Minor | 3 | 12A | 72 BPM | ||
美しき水車小屋の娘 Op. 25, D. 795: 第20曲 小川の子守歌 | Wilhelm Müller, Franz Schubert, John Ken NUZZO, 近藤亜紀 | E Major | 1 | 12B | 69 BPM | ||
Symphonic Studies, Op. 13 - Version 1852 with Etudes from 1837 version: Variation II. Marcato il canto | Robert Schumann, Mikhail Pletnev | D♭ Minor | 1 | 12A | 69 BPM | ||
Menuet in G Minor (trans. W. Kempff) | Wilhelm Kempff, George Frideric Handel, Idil Biret | G Minor | 0 | 6A | 73 BPM | ||
Piano Sonata No. 20 In A Major, D.959: III. Scherzo (Allegro vivace) | Franz Schubert, Krystian Zimerman | D Major | 1 | 10B | 118 BPM | ||
6 Album Leaves, Op. 2, JB 1:51: No. 2 in A Minor, Chanson. Moderato | Bedřich Smetana, Jitka Čechová | A Minor | 0 | 8A | 66 BPM | ||
Five pieces for Two Violins and Piano: I. Prelude- Moderato | Dmitri Shostakovich, Brodsky Quartet, Christian Blackshaw | B Minor | 0 | 10A | 82 BPM |
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