"Don Giovanni, K. 527, Act II: Sestetto. Sola, sola in buio loco - Tergi il ciglio, o vita mia - Fermo, briccone" by Wolfgang Amadeus Mozart, Scottish Chamber Orchestra, Sir Charles Mackerras, Alessandro Corbelli, Jerry Hadley, Christine Brewer, Felicity Lott, Nuccia Focile, Umberto Chiummo was released on September 9, 2008. Since Don Giovanni, K. 527, Act II: Sestetto. Sola, sola in buio loco - Tergi il ciglio, o vita mia - Fermo, briccone is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Wolfgang Amadeus Mozart, Sir Charles Mackerras, Scottish Chamber Orchestra, Scottish Chamber Orchestra Chorus, Bo Skovhus, Alessandro Corbelli, Christine Brewer, Jerry Hadley, Felicity Lott, Nuccia Focile, Umberto Chiummo's "Mozart: Don Giovanni, K. 527" album is number 51 out of 81. On top of that, United States appears to be the country where this track was created. The popularity of Don Giovanni, K. 527, Act II: Sestetto. Sola, sola in buio loco - Tergi il ciglio, o vita mia - Fermo, briccone is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Don Giovanni, K. 527, Act II: Sestetto. Sola, sola in buio loco - Tergi il ciglio, o vita mia - Fermo, briccone by Wolfgang Amadeus Mozart, Scottish Chamber Orchestra, Sir Charles Mackerras, Alessandro Corbelli, Jerry Hadley, Christine Brewer, Felicity Lott, Nuccia Focile, Umberto Chiummo to be Vivace (lively and fast) because the track has a tempo of 172 BPM, a half-time of 86BPM, and a double-time of 344 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
The music key of this track is D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cello Concerto in B-Flat Major, RV 423: I. Allegro | Antonio Vivaldi, Raphael Wallfisch, City of London Sinfonia, Nicholas Kraemer | B♭ Major | 2 | 6B | 122 BPM | ||
Le roi s'amuse: Pavane | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | B♭ Major | 0 | 6B | 91 BPM | ||
Rigaudons I, II & Double | Jean-Philippe Rameau, Víkingur Ólafsson | E Major | 3 | 12B | 106 BPM | ||
Oboe Concerto in D Minor, Op. 9, No. 2: III. Allegro | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | D Minor | 3 | 7A | 101 BPM | ||
Symphonie fantastique, Op. 14, H 48: II. Un Bal | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | A Major | 1 | 11B | 113 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 21 in E Minor. Vivace (Orch. Dvořák) | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | E Minor | 4 | 9A | 80 BPM | ||
Concerto a 5 in B flat, Op.7, no.10 for Strings and Continuo: 3. Allegro | Tomaso Albinoni, I Musici | B♭ Major | 2 | 6B | 107 BPM | ||
7 Variations on an original theme, Op. 9, J. 55: Andante | Carl Maria von Weber, Michael Endres | F Major | 0 | 7B | 121 BPM | ||
Violin Partita No. 3 in E Major, BWV 1006: I. Preludio | Johann Sebastian Bach, Hilary Hahn | A Major | 3 | 11B | 126 BPM | ||
Gavotte (Paride ed Elena) | Christoph Willibald Gluck, Johannes Brahms, Matti Raekallio | A Major | 0 | 11B | 98 BPM |
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