Giovanni Bottesini, Wies de Boevé, Joshua Weilerstein, Brussels Philharmonic made "Bottesini: Gran Concerto for Double Bass in F-Sharp Minor: III. Finale. Allegro con fuoco" available on January 24, 2020. With this song being around four minutes long, at 4:24, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Via Bottesini: Concerti e pezzi concertanti by Giovanni Bottesini, Wies de Boevé. The song's track number on the album is #7 out of 8 tracks. Based on our statistics, Bottesini: Gran Concerto for Double Bass in F-Sharp Minor: III. Finale. Allegro con fuoco's popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
Since Bottesini: Gran Concerto for Double Bass in F-Sharp Minor: III. Finale. Allegro con fuoco by Giovanni Bottesini, Wies de Boevé, Joshua Weilerstein, Brussels Philharmonic has a tempo of 127 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Bottesini: Gran Concerto for Double Bass in F-Sharp Minor: III. Finale. Allegro con fuoco being at 127 BPM, the half-time would be 64 BPM with a double-time of 254 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Allegro molto in C Minor | Fanny Mendelssohn, Heather Schmidt | F Minor | 2 | 4A | 79 BPM | ||
Pièces de Clavecin, Livre II, 6e ordre: V. Les Baricades Mistérieuses | François Couperin, Alexandre Tharaud | B♭ Major | 1 | 6B | 111 BPM | ||
Triple Concerto in C Major, Op. 56: II. Largo - | Ludwig van Beethoven, Nicola Benedetti, Sheku Kanneh-Mason, Benjamin Grosvenor, Philharmonia Orchestra, Santtu-Matias Rouvali | A♭ Major | 0 | 4B | 63 BPM | ||
10 Preludes, Op. 23: No. 5 in G Minor: Alla marcia | Sergei Rachmaninoff, Eldar Nebolsin | G Minor | 2 | 6A | 114 BPM | ||
Concerto in B minor for Double-bass and Orchestra: 2. Andante | Giovanni Bottesini, Odon Racz, Franz Liszt Chamber Orchestra | G Major | 0 | 9B | 72 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): III. Intermezzo | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | A♭ Major | 3 | 4B | 161 BPM | ||
Bruch: Violin Concerto No. 1 in G Minor, Op. 26: I. Prelude. Allegro moderato | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | E♭ Major | 1 | 5B | 113 BPM | ||
Violin Concerto No. 5 in A Major, K. 219 "Turkish": 3. Rondeau (Tempo di minuetto) | Wolfgang Amadeus Mozart, Hilary Hahn, Deutsche Kammerphilharmonie Bremen, Paavo Järvi | A Major | 1 | 11B | 132 BPM | ||
Etude Op. 25 no. 9 in G Flat Major | Valentina Lisitsa | F♯ Major | 2 | 2B | 111 BPM | ||
3 Nocturnes for Cello and Guitar: Nocturne No. 2 in F Major - Adagio cantabile | Franz Burgmüller, Anja Lechner, Pablo Marquez | F Major | 0 | 7B | 123 BPM |
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