"Bite It Where It Counts - Remastered 2018" by Marijn Simons, Tyme Mientka, Gabriel Mientka, Kathryn Mientka, David Alderdice was released on August 10, 2018. With this song being around four minutes long, at 3:38, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Marijn Simons's "Have You Heard the Solos? (Remastered)" album is number 6 out of 12. Based on our statistics, Bite It Where It Counts - Remastered 2018's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Bite It Where It Counts - Remastered 2018 by Marijn Simons, Tyme Mientka, Gabriel Mientka, Kathryn Mientka, David Alderdice to be Allegro (fast, quick, and bright) because the track has a tempo of 124 BPM, a half-time of 62BPM, and a double-time of 248 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Saxophone Quartet B Major, Op. 109: I. Allegro | Alexander Glazunov, Signum Saxophone Quartet | F Major | 5 | 7B | 141 BPM | ||
Estampes: No. 1. Pagodes (arr. A. Caplet): Pagodes | Andre Caplet, Claude Debussy, Rheinland-Pfalz State Philharmonic Orchestra, Leif Segerstam | D♭ Minor | 1 | 12A | 95 BPM | ||
Evil Circus | Christian Lindberg, Símon Bolívar Symphony Orchestra | F♯ Major | 5 | 2B | 183 BPM | ||
Proving the Existence of Folkloric Creatures | Milo Paulus | F♯ Major | 3 | 2B | 65 BPM | ||
My Lady's Pavan | Philip Sparke, Corinne Bailey, Lindy Tennent-Brown | A♭ Major | 1 | 4B | 144 BPM | ||
Virginia Tate | Paul Smadbeck, Cornelia Monske | B Minor | 0 | 10A | 107 BPM | ||
Five: III. Five/3 - Live | Marijn Simons, Simons Ensemble | G Major | 0 | 9B | 82 BPM | ||
Dr. Merryheart: V. Variation 4: Merryheart As a Chivalrous Knight Chases Bluebeard (Als ritterlicher Kampe verfolgt Merryheart den Blaubart) | RTÉ National Symphony Orchestra, Havergal Brian | F Major | 2 | 7B | 92 BPM | ||
Les Heures persanes (Persian Hours), Op. 65bis: IX. Aubade (Morning Song) | Charles Koechlin, Stuttgart Radio Symphony Orchestra, Heinz Holliger | B♭ Minor | 0 | 3A | 86 BPM | ||
Five_1 (ballet music) | Marijn Simons, Kathryn Mientka, Tyme Mientka, Martin Sieghart, Arnhem Philharmonic Orchestra | C Major | 4 | 8B | 118 BPM |
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