Johann Sebastian Bach, Daniil Trifonov made "Partita for Violin Solo No. 3 in E Major, BWV 1006 - Arr. for Piano by Rachmaninov: III. Gavotte" available on October 12, 2018. The duration of Partita for Violin Solo No. 3 in E Major, BWV 1006 - Arr. for Piano by Rachmaninov: III. Gavotte is about two minutes long, specifically at 2:44. This song does not appear to have any foul language. Partita for Violin Solo No. 3 in E Major, BWV 1006 - Arr. for Piano by Rachmaninov: III. Gavotte's duration is considered a little bit shorter than the average duration of a typical track. The song is number 5 out of 9 in Destination Rachmaninov: Departure by Daniil Trifonov, Philadelphia Orchestra, Yannick Nézet-Séguin. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. The popularity of Partita for Violin Solo No. 3 in E Major, BWV 1006 - Arr. for Piano by Rachmaninov: III. Gavotte is currently not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Partita for Violin Solo No. 3 in E Major, BWV 1006 - Arr. for Piano by Rachmaninov: III. Gavotte by Johann Sebastian Bach, Daniil Trifonov is Vivace (lively and fast), since this song has a tempo of 163 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.2 in C minor BWV847 | Daniel Barenboim | C Minor | 1 | 5A | 68 BPM | ||
Prelude In A Minor Op. 32 No. 8 | Vladimir Horowitz | F Major | 1 | 7B | 59 BPM | ||
Carnaval, Op. 9: XII. Chopin | Robert Schumann, Daniil Trifonov | E Major | 0 | 12B | 68 BPM | ||
6 Pezzi, P. 44: No. 2. Canone | Ottorino Respighi, Konstantin Scherbakov | B♭ Major | 1 | 6B | 83 BPM | ||
Come, Sweet Death (Arr. for 5 Cellos) | Johann Sebastian Bach, Sheku Kanneh-Mason, Hannah Roberts, Ben Davies, Desmond Neysmith, Max Ruisi | C Minor | 1 | 5A | 88 BPM | ||
Nocturne No. 3 in A-Flat Major | John Field, Benjamin Frith | A♭ Major | 0 | 4B | 70 BPM | ||
Rondo capriccioso in E Major, Op. 14, MWV U67: 1. Andante | Felix Mendelssohn, Jan Lisiecki | E Major | 0 | 12B | 70 BPM | ||
Antiche Danze Ed Arie Per Liuto (Ancient Airs And Dances), P. 114: IV. Italiana | Ottorino Respighi, Konstantin Scherbakov | B Minor | 0 | 10A | 197 BPM | ||
3 Preludi Sopra Melodie Gregoriane, P. 131: I. Molto Lento | Ottorino Respighi, Konstantin Scherbakov | A♭ Minor | 0 | 1A | 70 BPM | ||
Lyric Pieces, Op. 38: VIII. Kanon - Allegretto con moto | Edvard Grieg, Javier Perianes | E♭ Minor | 0 | 2A | 82 BPM |
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