M. G. Friedrich, Adolphe De Leuven, Léon Lévy Brunswick, Adolphe Adam, Joseph Schmidt made "Freunde, vernehmet die Geschichte (Mes amis, écoutez l'histoire) (Dr Postillon von Lonjumeau/Le Postillon de Lonjumeau: Chapelou, 1.Akt) - 1992 Digital Remaster" available on 1992. The duration of Freunde, vernehmet die Geschichte (Mes amis, écoutez l'histoire) (Dr Postillon von Lonjumeau/Le Postillon de Lonjumeau: Chapelou, 1.Akt) - 1992 Digital Remaster is about 3 minutes long, at 3:20. Based on our data, "Freunde, vernehmet die Geschichte (Mes amis, écoutez l'histoire) (Dr Postillon von Lonjumeau/Le Postillon de Lonjumeau: Chapelou, 1.Akt) - 1992 Digital Remaster" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Joseph Schmidt's "Joseph Schmidt - Complete EMI Recordings Vol. 1 (1929-1937)" album is number 6 out of 44. Based on our statistics, Freunde, vernehmet die Geschichte (Mes amis, écoutez l'histoire) (Dr Postillon von Lonjumeau/Le Postillon de Lonjumeau: Chapelou, 1.Akt) - 1992 Digital Remaster's popularity is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Freunde, vernehmet die Geschichte (Mes amis, écoutez l'histoire) (Dr Postillon von Lonjumeau/Le Postillon de Lonjumeau: Chapelou, 1.Akt) - 1992 Digital Remaster by M. G. Friedrich, Adolphe De Leuven, Léon Lévy Brunswick, Adolphe Adam, Joseph Schmidt to be Allegro (fast, quick, and bright) because the track has a tempo of 139 BPM, a half-time of 70BPM, and a double-time of 278 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 5/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bon Soir, Bon Soir | Vico Torriani | C Major | 2 | 8B | 80 BPM | ||
Auf Der Heide Blüh'n Die Letzten Rosen | Willy Schneider | D♭ Major | 3 | 3B | 113 BPM | ||
Warum strahlen heut’ Nacht die Sterne so hell | Die Blauen Jungs | D♭ Major | 5 | 3B | 125 BPM | ||
Das gibt's nur einmal (Christels Lied) | Lilian Harvey | E♭ Major | 2 | 5B | 95 BPM | ||
Davon geht die Welt nicht unter - From "Inglourious Basterds" | Zarah Leander | D Major | 3 | 10B | 178 BPM | ||
Mal d'amore | Arturo Buzzi-Peccia, Joseph Schmidt, Studio Orchestra, Hans Schleger | G Minor | 2 | 6A | 72 BPM | ||
Jünger werd' ma nimmer | Paul Hörbiger | C Major | 2 | 8B | 119 BPM | ||
Land so wunderbar (Arie des Vasco aus "Die Afrikanerin") | Joseph Schmidt | D♭ Major | 3 | 3B | 171 BPM | ||
Die Juliska Aus Budapest (aus Maske In Blau) | Anneliese Rothenberger | A Minor | 5 | 8A | 81 BPM | ||
Sérénade de Toselli | Tino Rossi | E Major | 3 | 12B | 133 BPM |
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