Joseph Haydn, New York Philharmonic, Leonard Bernstein made "Symphony No. 97 in C Major, Hob. I:97: II. Adagio ma non troppo" available on 1969. Since Symphony No. 97 in C Major, Hob. I:97: II. Adagio ma non troppo is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Joseph Haydn, Leonard Bernstein's "Haydn: Symphonies Nos. 88, 96 & 97" album is number 6 out of 12. On top of that, United States appears to be the country where this track was created. Based on our statistics, Symphony No. 97 in C Major, Hob. I:97: II. Adagio ma non troppo's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Symphony No. 97 in C Major, Hob. I:97: II. Adagio ma non troppo by Joseph Haydn, New York Philharmonic, Leonard Bernstein to be Allegro (fast, quick, and bright) because the track has a tempo of 147 BPM, a half-time of 74BPM, and a double-time of 294 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Keyboard Concerto in E Major, BWV 1053: I. Allegro | Johann Sebastian Bach, Christoph Anselm Noll, Cologne Chamber Orchestra, Helmut Muller-Bruhl | D♭ Minor | 3 | 12A | 94 BPM | ||
Symphony No. 94 in G Major, Hob. I:94 "Surprise": I. Adagio cantabile - Vivace assai | Franz Joseph Haydn, European Festival Orchestra, Johann Walter | E♭ Major | 2 | 5B | 138 BPM | ||
Oboe Concerto in C Major on Themes of Pergolesi: III. Andantino | Anthony Camden, City of London Sinfonia, Nicholas Ward | C Minor | 0 | 5A | 48 BPM | ||
Lieder ohne Worte, Op.19: No. 2 In A Minor (Andante espressivo), MWV U 80 | Felix Mendelssohn, Daniel Barenboim | A Minor | 0 | 8A | 131 BPM | ||
Overture (Suite) No. 2 in B Minor, BWV 1067: V. Polonaise - Double | Johann Sebastian Bach, Akademie für Alte Musik Berlin | B♭ Minor | 0 | 3A | 125 BPM | ||
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: I. Moderato (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | C Major | 1 | 8B | 68 BPM | ||
Sinfonia in A Major: I. Presto | Giovanni Battista Sammartini, Capella Istropolitana, Jaroslav Krcek | A Major | 3 | 11B | 117 BPM | ||
Keyboard Concerto No. 13 in F Major, HWV 295, "The Cuckoo and The Nightingale": I. Larghetto | George Frideric Handel, Matthias Kirschnereit, German Chamber Academy Neuss, Lavard Skou Larsen | D Minor | 0 | 7A | 176 BPM | ||
Overture in D Major, P. 228: II. Andantino | Franz Danzi, Munich Chamber Orchestra, Howard Griffiths | F Major | 0 | 7B | 131 BPM | ||
Symphony in D Major, Op. 3, No. 2: I. Presto | Johann Stamitz, New Zealand Chamber Orchestra, Donald Armstrong | A Major | 1 | 11B | 83 BPM |
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