Gli strali d'amore (after Italian arias by A. Campra): Recitative: Ah, he d'amor gioia (Lelio)
Fabio Bonizzoni, Roberta Invernizzi, Cyril Auvity, Salvo Vitale, La Risonanza
Campra: Gli strali d'amore
0:30 October 4, 2011
BPM
119
Key
D♭ Major
Camelot
3B

Embed

Share Link

Gli strali d'amore (after Italian arias by A. Campra): Recitative: Ah, he d'amor gioia (Lelio) - Fabio Bonizzoni, Roberta Invernizzi, Cyril Auvity, Salvo Vitale, La Risonanza Information

Acousticness
92%
Danceability
49%
Energy
10%
Instrumentalness
0%
Liveness
14%
Loudness
70%
Speechiness
6%
Valence
46%
Popularity
Loudness
-17.942 dB

Summary

Fabio Bonizzoni, Roberta Invernizzi, Cyril Auvity, Salvo Vitale, La Risonanza made "Gli strali d'amore (after Italian arias by A. Campra): Recitative: Ah, he d'amor gioia (Lelio)" available on October 4, 2011. With Gli strali d'amore (after Italian arias by A. Campra): Recitative: Ah, he d'amor gioia (Lelio) being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 2 out of 34 in Campra: Gli strali d'amore by Fabio Bonizzoni. In terms of popularity, Gli strali d'amore (after Italian arias by A. Campra): Recitative: Ah, he d'amor gioia (Lelio) is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.

Gli strali d'amore (after Italian arias by A. Campra): Recitative: Ah, he d'amor gioia (Lelio) BPM

The tempo marking of Gli strali d'amore (after Italian arias by A. Campra): Recitative: Ah, he d'amor gioia (Lelio) by Fabio Bonizzoni, Roberta Invernizzi, Cyril Auvity, Salvo Vitale, La Risonanza is Moderato (at a moderate speed), since this song has a tempo of 119 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.

Gli strali d'amore (after Italian arias by A. Campra): Recitative: Ah, he d'amor gioia (Lelio) Key

D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Harpsichord Concerto No. 2 in E Major, BWV 1053: III. Allegro by Johann Sebastian Bach, Fabio BonizzoniHarpsichord Concerto No. 2 in E Major, BWV 1053: III. AllegroJohann Sebastian Bach, Fabio BonizzoniF Minor24A75 BPM
Vivaldi: Concerto for Two Trumpets in C Major, RV 537: II. Largo by Antonio Vivaldi, Sir Neville Marriner, Bernard Soustrot, Maurice André, Academy of St. Martin in the FieldsVivaldi: Concerto for Two Trumpets in C Major, RV 537: II. LargoAntonio Vivaldi, Sir Neville Marriner, Bernard Soustrot, Maurice André, Academy of St. Martin in the FieldsC Major08B99 BPM
Dunque sara pur vero, HWV 110, Dunque sara pur vero, HWV 110, "Agrippina condotta a morire": Recitative: Ma pria che d'empia morteGeorge Frideric Handel, Roberta Invernizzi, La Risonanza, Fabio BonizzoniB♭ Minor13A77 BPM
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: II. Adagio (Cadenza by Britten) by Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the FieldsHaydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: II. Adagio (Cadenza by Britten)Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the FieldsF Major17B124 BPM
Scarlatti, D: Keyboard Sonata in D Minor, Kk. 141 by Domenico Scarlatti, Jean RondeauScarlatti, D: Keyboard Sonata in D Minor, Kk. 141Domenico Scarlatti, Jean RondeauD♭ Minor512A141 BPM
Violin Sonata in D Major, Op. 5 No. 1: II. Allegro by Arcangelo Corelli, Lina Tur Bonet, Musica AlchemicaViolin Sonata in D Major, Op. 5 No. 1: II. AllegroArcangelo Corelli, Lina Tur Bonet, Musica AlchemicaC Major38B125 BPM
Requiem In D Minor, K. 626: Offertory: I. Domine Jesu Christe by Slovak Philharmonic, Slovak Philharmonic Chorus, Vladimir Ruso, Magdaléna Hajóssyová, Stefan Klimo, Peter Mikulas, Jozef Kundlák, Jaroslava Horska, Wolfgang Amadeus MozartRequiem In D Minor, K. 626: Offertory: I. Domine Jesu ChristeSlovak Philharmonic, Slovak Philharmonic Chorus, Vladimir Ruso, Magdaléna Hajóssyová, Stefan Klimo, Peter Mikulas, Jozef Kundlák, Jaroslava Horska, Wolfgang Amadeus MozartG Minor26A91 BPM
Apollo e Dafne, HWV 122: Recitative: Che voce! Che belta! (What a voice! What a beauty!) (Apollo, Dafne) by George Frideric Handel, Roberta Invernizzi, Thomas E. Bauer, La Risonanza, Fabio BonizzoniApollo e Dafne, HWV 122: Recitative: Che voce! Che belta! (What a voice! What a beauty!) (Apollo, Dafne)George Frideric Handel, Roberta Invernizzi, Thomas E. Bauer, La Risonanza, Fabio BonizzoniA♭ Minor11A92 BPM
Rameau: Pièces de clavecin (1724), Suite in D Major, RCT 3: No. 1 Les Tendres Plaintes - Rondeau by Jean-Philippe Rameau, Jean RondeauRameau: Pièces de clavecin (1724), Suite in D Major, RCT 3: No. 1 Les Tendres Plaintes - RondeauJean-Philippe Rameau, Jean RondeauC Minor35A87 BPM
Overture (Suite) In G Minor, TWV 55: G4: VI. Gasconnade by Cologne Chamber Orchestra, Georg Philipp TelemannOverture (Suite) In G Minor, TWV 55: G4: VI. GasconnadeCologne Chamber Orchestra, Georg Philipp TelemannG Minor46A146 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 1.0577008724212646

End: 1.0645387172698975