Fabio Bonizzoni, Roberta Invernizzi, Cyril Auvity, Salvo Vitale, La Risonanza made "Gli strali d'amore (after Italian arias by A. Campra): Recitative: Ah, he d'amor gioia (Lelio)" available on October 4, 2011. With Gli strali d'amore (after Italian arias by A. Campra): Recitative: Ah, he d'amor gioia (Lelio) being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 2 out of 34 in Campra: Gli strali d'amore by Fabio Bonizzoni. In terms of popularity, Gli strali d'amore (after Italian arias by A. Campra): Recitative: Ah, he d'amor gioia (Lelio) is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Gli strali d'amore (after Italian arias by A. Campra): Recitative: Ah, he d'amor gioia (Lelio) by Fabio Bonizzoni, Roberta Invernizzi, Cyril Auvity, Salvo Vitale, La Risonanza is Moderato (at a moderate speed), since this song has a tempo of 119 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Harpsichord Concerto No. 2 in E Major, BWV 1053: III. Allegro | Johann Sebastian Bach, Fabio Bonizzoni | F Minor | 2 | 4A | 75 BPM | ||
Vivaldi: Concerto for Two Trumpets in C Major, RV 537: II. Largo | Antonio Vivaldi, Sir Neville Marriner, Bernard Soustrot, Maurice André, Academy of St. Martin in the Fields | C Major | 0 | 8B | 99 BPM | ||
Dunque sara pur vero, HWV 110, "Agrippina condotta a morire": Recitative: Ma pria che d'empia morte | George Frideric Handel, Roberta Invernizzi, La Risonanza, Fabio Bonizzoni | B♭ Minor | 1 | 3A | 77 BPM | ||
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: II. Adagio (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | F Major | 1 | 7B | 124 BPM | ||
Scarlatti, D: Keyboard Sonata in D Minor, Kk. 141 | Domenico Scarlatti, Jean Rondeau | D♭ Minor | 5 | 12A | 141 BPM | ||
Violin Sonata in D Major, Op. 5 No. 1: II. Allegro | Arcangelo Corelli, Lina Tur Bonet, Musica Alchemica | C Major | 3 | 8B | 125 BPM | ||
Requiem In D Minor, K. 626: Offertory: I. Domine Jesu Christe | Slovak Philharmonic, Slovak Philharmonic Chorus, Vladimir Ruso, Magdaléna Hajóssyová, Stefan Klimo, Peter Mikulas, Jozef Kundlák, Jaroslava Horska, Wolfgang Amadeus Mozart | G Minor | 2 | 6A | 91 BPM | ||
Apollo e Dafne, HWV 122: Recitative: Che voce! Che belta! (What a voice! What a beauty!) (Apollo, Dafne) | George Frideric Handel, Roberta Invernizzi, Thomas E. Bauer, La Risonanza, Fabio Bonizzoni | A♭ Minor | 1 | 1A | 92 BPM | ||
Rameau: Pièces de clavecin (1724), Suite in D Major, RCT 3: No. 1 Les Tendres Plaintes - Rondeau | Jean-Philippe Rameau, Jean Rondeau | C Minor | 3 | 5A | 87 BPM | ||
Overture (Suite) In G Minor, TWV 55: G4: VI. Gasconnade | Cologne Chamber Orchestra, Georg Philipp Telemann | G Minor | 4 | 6A | 146 BPM |
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