- BPM
- 78
- Key
- G Minor
- Camelot
- 6A
High Windows - Christopher Cerrone, Argus Quartet, The String Orchestra of Brooklyn, Eli Spindel Information
- Acousticness
- 90%
- Danceability
- 9%
- Energy
- 11%
- Instrumentalness
- 82%
- Liveness
- 8%
- Loudness
- 73%
- Speechiness
- 4%
- Valence
- 4%
- Popularity
- 7%
- Loudness
- -16.338 dB
Summary
"High Windows" by Christopher Cerrone, Argus Quartet, The String Orchestra of Brooklyn, Eli Spindel had its release date on January 17, 2020. This song appears to be safe for all ages as it is not explicit. The song is number 1 out of 4 in afterimage by The String Orchestra of Brooklyn, Eli Spindel. High Windows is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
High Windows BPM
The tempo marking of High Windows by Christopher Cerrone, Argus Quartet, The String Orchestra of Brooklyn, Eli Spindel is Andante (at a walking pace), since this song has a tempo of 78 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
High Windows Key
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | A Place We Once Walked | Roger Eno, Scoring Berlin | C Major | 0 | 8B | 72 BPM | |
 | Recomposed By Max Richter: Vivaldi, The Four Seasons: Shadow 5 | Max Richter | D♭ Major | 5 | 3B | 67 BPM | |
 | VII. Orlando: Entropy | Max Richter | C Minor | 4 | 5A | 164 BPM | |
 | On Being Wrong | Christopher Cerrone, Ashley Bathgate | G Major | 2 | 9B | 133 BPM | |
 | Saegirarenai kyusoku (Uninterrupted Rest): III. A song of love | Toru Takemitsu, Kotaro Fukuma | G Major | 0 | 9B | 0 BPM | |
 | Quavers 5 | Howard Skempton, John Tilbury | D Major | 0 | 10B | 104 BPM | |
 | Postlude 8 | Elliot Cole, Blow Up Roma Percussion | F Minor | 1 | 4A | 86 BPM | |
 | With Eyes the Color of Time: IV. Les sortilèges (The Wound - The Torn Page) | Anne Leilehua Lanzilotti, String Orchestra of Brooklyn, Eli Spindel | C Major | 1 | 8B | 139 BPM | |
 | Carrot Revolution | Gabriella Smith, Aizuri Quartet | C Major | 4 | 8B | 108 BPM | |
 | Avril 14 | Richard James, Katia & Marielle Labèque | A♭ Major | 0 | 4B | 90 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records