On 1965, the song "Dorian Reeds, Part 34" was released by Terry Riley, Matt Starling. With Dorian Reeds, Part 34 being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 63 in the song's album "Terry Riley's Dorian Reeds (For Brass) 2019 Remastered for Streaming". In this album, this song's track order is #34. The popularity of Dorian Reeds, Part 34 is currently not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Dorian Reeds, Part 34 by Terry Riley, Matt Starling having a BPM of 184 with a half-time of 92 BPM and a double-time of 368 BPM, we would consider this track to have a Presto (very, very fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 5/4.
This song has a musical key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Aether | Hildur Guðnadóttir | A Minor | 0 | 8A | 169 BPM | ||
Carbon Date | Ernst Reijseger, Nederlands Kammerkoor | G Minor | 2 | 6A | 90 BPM | ||
Three High Places (Double Bass Version): II. The Wind at Maclaren Summit | John Luther Adams, Robert Black | G Major | 0 | 9B | 99 BPM | ||
Sowiesoso | Cluster | C Major | 5 | 8B | 209 BPM | ||
Piano & Violoncello 6 | Irena And Vojtech Havlovi | G Minor | 1 | 6A | 65 BPM | ||
Aliens with Extraordinary Abilities: Things May Be Changing (But Probably Not) | David Skidmore, Third Coast Percussion | G Minor | 7 | 6A | 88 BPM | ||
Desert of Ice - Instrumental | Terry Riley | B Minor | 3 | 10A | 135 BPM | ||
Stillness | Hilary Hahn, Hauschka | A Major | 0 | 11B | 75 BPM | ||
Classique: Bidule et un | Pierre Henry, Pierre Schaeffer | D Major | 4 | 10B | 81 BPM | ||
Sound Patterns | Pauline Oliveros, Brandeis University Chamber Chorus, Alvin Lucier | F Major | 3 | 7B | 172 BPM |
Section: 0.5192062854766846
End: 0.5239691734313965