"In the bottoms: I. Prelude" by Robert Nathaniel Dett, Natalie Hinderas was released on January 1, 2007. With this song being about 5 minutes long, at 5:22, "In the bottoms: I. Prelude" by Robert Nathaniel Dett, Natalie Hinderas is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 19 in the song's album "Piano Music by African-American Composers". In this album, this song's track order is #1. In the bottoms: I. Prelude is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With In the bottoms: I. Prelude by Robert Nathaniel Dett, Natalie Hinderas having a BPM of 85 with a half-time of 42 BPM and a double-time of 170 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Études d'exécution transcendante, S. 139: No. 3 in F Major "Paysage" | Franz Liszt, Boris Giltburg | F Major | 0 | 7B | 88 BPM | ||
Blomstervignetter No. 2, BVN 424: No. 2, Aakande | Rued Langgaard, Berit Johansen Tange | C Minor | 0 | 5A | 94 BPM | ||
Trois études poétiques, Op. 32: I. Étude poétique | Signe Lund, Rune Alver | C Major | 0 | 8B | 64 BPM | ||
Three Piano Preludes: I. No. 1 | Frederick Delius, Eric Parkin | D Major | 0 | 10B | 107 BPM | ||
In the bottoms: II. His Song | Robert Nathaniel Dett, Natalie Hinderas | D Major | 0 | 10B | 76 BPM | ||
8 Nocturnes, Op. 368: No. 5, Allegretto grazioso e con anima | Carl Czerny, Roberte Mamou | E Major | 1 | 12B | 137 BPM | ||
Berceuse, Op. 12, no. 3 | José Rolón, Argentina Durán | G Major | 3 | 9B | 94 BPM | ||
How Can the Tree but Wither? (Version for Cello & Piano) | Ralph Vaughan Williams, Gerald Peregrine, Antony Ingham | E♭ Major | 0 | 5B | 130 BPM | ||
Vard (Arr. for Piano by Villy Sargsyan) | Romanos Melikian, Yulia Ayrapetyan | D♭ Minor | 1 | 12A | 81 BPM | ||
Bizet: Jeux d'enfants, Op. 22, WD 56: No. 12, Le bal | Georges Bizet, Alexandre Tharaud, Martin James Bartlett | B♭ Major | 2 | 6B | 120 BPM |
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