"Piano Concerto No. 20 in D Minor, K. 466: II. Romance" by Wolfgang Amadeus Mozart, Carol Rosenberger, Moscow Chamber Orchestra, Constantine Orbelian was released on January 1, 1999. Since Piano Concerto No. 20 in D Minor, K. 466: II. Romance is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Wolfgang Amadeus Mozart, Constantine Orbelian's "Mozart, W.A.: Adagios" album is number 1 out of 10. On top of that, United States appears to be the country where this track was created. Piano Concerto No. 20 in D Minor, K. 466: II. Romance is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Piano Concerto No. 20 in D Minor, K. 466: II. Romance by Wolfgang Amadeus Mozart, Carol Rosenberger, Moscow Chamber Orchestra, Constantine Orbelian to be Andante (at a walking pace) because the track has a tempo of 87 BPM, a half-time of 44BPM, and a double-time of 174 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
The music key of this track is D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
21 Hungarian Dances, WoO 1: Hungarian Dance No. 11 in D Minor | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | A Minor | 0 | 8A | 76 BPM | ||
Symphony No. 3 in F Major, Op. 90: III. Poco allegretto | Johannes Brahms, David Zinman | C Minor | 0 | 5A | 173 BPM | ||
Larghetto & Allegro for 2 Pianos in E-Flat Major, Fr1781f (Compl. & Orch. Lev): I. Larghetto – | Wolfgang Amadeus Mozart, Alon Kariv, English Chamber Orchestra, MultiPiano, Tomer Lev | E♭ Major | 0 | 5B | 144 BPM | ||
Sinfonia in D Major, "La Veneziana": III. Presto | Antonio Salieri, Chopin Chamber Orchestra, Winston Dan Vogel | D Major | 1 | 10B | 109 BPM | ||
Harp Concerto in A major: 3. Rondeau: Allegretto | Carl Ditters von Dittersdorf, Marisa Robles, Academy of St. Martin in the Fields, Iona Brown | A Major | 1 | 11B | 97 BPM | ||
Pelléas et Mélisande, Op.80: 3. Sicilienne | Gabriel Fauré, Academy of St. Martin in the Fields, Sir Neville Marriner | G Minor | 0 | 6A | 111 BPM | ||
Clarinet Concerto in B-Flat Major: Andante sostenuto | Gaetano Donizetti, Camerata De Budapest, Laszlo Kovacs | B♭ Minor | 0 | 3A | 69 BPM | ||
Academic Festival Overture, Op. 80 | Johannes Brahms, Gewandhausorchester Leipzig, Riccardo Chailly | C Major | 2 | 8B | 77 BPM | ||
Adagio in F, H.XVII No.9 | Franz Joseph Haydn, Alfred Brendel | F Major | 0 | 7B | 71 BPM | ||
Requiem In D Minor, K. 626: Offertory: I. Domine Jesu Christe | Slovak Philharmonic, Slovak Philharmonic Chorus, Vladimir Ruso, Magdaléna Hajóssyová, Stefan Klimo, Peter Mikulas, Jozef Kundlák, Jaroslava Horska, Wolfgang Amadeus Mozart | G Minor | 2 | 6A | 91 BPM |
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