"Un ballo in maschera*: Act I: Di tu se fedele" by Giuseppe Verdi, Giovanni Zenatello, Eugenia Burzio was released on January 4, 2011. The duration of Un ballo in maschera*: Act I: Di tu se fedele is about two minutes long, specifically at 2:58. This song does not appear to have any foul language. Un ballo in maschera*: Act I: Di tu se fedele's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 20 in the song's album "The Harold Wayne Collection, Vol. 16 (1905-1909)". In this album, this song's track order is #13. Furthermore, we believe that the track originated from United Kingdom. Un ballo in maschera*: Act I: Di tu se fedele is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Un ballo in maschera*: Act I: Di tu se fedele by Giuseppe Verdi, Giovanni Zenatello, Eugenia Burzio having a BPM of 79 with a half-time of 40 BPM and a double-time of 158 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die lustige Witwe (The Merry Widow) (2000 - Remaster): XIV. Lippen schweigen (Danilo/Hanna) | Franz Lehár, Eberhard Waechter/Elisabeth Schwarzkopf/Philharmonia Orchestra/Lovro von Matacic, Eberhard Waechter, Lovro Von Matacic, Philharmonia Orchestra | G Major | 1 | 9B | 85 BPM | ||
La Bohème / Act 2: "Quando m'en vo'" (Musetta's Waltz) | Giacomo Puccini, Gianna D'Angelo, Ettore Bastianini, Fernando Corena, Renata Tebaldi, Carlo Bergonzi, Renato Cesari, Cesare Siepi, Orchestra dell'Accademia Nazionale di Santa Cecilia, Tullio Serafin | A Major | 3 | 11B | 100 BPM | ||
Les Contes d'Hoffmann / Act 2: "Les oiseaux dans la charmille" | Jacques Offenbach, Edita Gruberova, Choeurs de Radio France, Jacques Jouineau, Orchestre National De France, Seiji Ozawa | A♭ Major | 1 | 4B | 178 BPM | ||
Aida (1997 Digital Remaster): Se quel gerriero io fossil! | Giuseppe Verdi, Richard Tucker, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin, Orchestra Del Teatro Alla Scala Di Milan | B♭ Major | 1 | 6B | 79 BPM | ||
Norma / Act 1: Casta Diva | Vincenzo Bellini, Dame Joan Sutherland, Samuel Ramey, Chorus of the Welsh National Opera, Orchestra of the Welsh National Opera, Richard Bonynge | F Major | 1 | 7B | 67 BPM | ||
Ernani: Odi il voto - Sprezzo la vita | Giuseppe Verdi, Michael Fabiano, London Voices, London Philharmonic Orchestra, Enrique Mazzola | B♭ Major | 2 | 6B | 169 BPM | ||
Il barbiere di Siviglia: Largo al factotum - Remastered | Gioachino Rossini, Erich Leinsdorf | C Major | 3 | 8B | 66 BPM | ||
Coppelia: Act I - Valse | Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia | E♭ Major | 0 | 5B | 89 BPM | ||
Messa da Requiem: Tuba mirum | Giuseppe Verdi, Cesar Hernandez, Carlo Colombara, Hungarian State Opera Chorus, Hungarian State Opera Orchestra, Pier Giorgio Morandi | D♭ Minor | 2 | 12A | 60 BPM | ||
Manon Lescaut / Act 1: Donna non vidi mai | Giacomo Puccini, Luciano Pavarotti, Metropolitan Opera Orchestra, James Levine | B♭ Major | 3 | 6B | 79 BPM |
Section: 0.6553683280944824
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