Joseph Bartz, Hans Tönnies's 'Concertino für Tuba und Klavier: III. Lebhaft' came out on April 12, 2013. With this song being around four minutes long, at 3:35, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Joseph Bartz's "Impromptu" album is number 18 out of 18. In terms of popularity, Concertino für Tuba und Klavier: III. Lebhaft is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Concertino für Tuba und Klavier: III. Lebhaft by Joseph Bartz, Hans Tönnies to be Moderato (at a moderate speed) because the track has a tempo of 114 BPM, a half-time of 57BPM, and a double-time of 228 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 3/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
White Rose Elegy | Caleb Hudson, Sierra Brass Quintet | G Minor | 5 | 6A | 142 BPM | ||
Rissolty Rossolty (arr. for brass ensemble by Jarle Storløkken) | Ruth Crawford Seeger, tenThing, Tine Thing Helseth | A Minor | 0 | 8A | 66 BPM | ||
Oh, the Lamb - Euphonium Multi-Track | Jorijn Van Hese | E♭ Major | 0 | 5B | 65 BPM | ||
Suite de Symphonies: I. Rondeau | Jean-Joseph Mouret, Chicago Brass Quintet | B♭ Major | 2 | 6B | 171 BPM | ||
Concerto for Clarinet No. 2 in E-Flat Major, Op. 74: II. Andante con moto | Carl Maria von Weber, Alberto Lizzio, North German Philharmonic Orchestra, Alexander Ivanov | D Minor | 3 | 7A | 101 BPM | ||
Flight of the Bumble Bee - Rimsky-Korsakov | Nikolai Rimsky-Korsakov, arr. Mark Freeh, Steven Mead | E♭ Minor | 2 | 2A | 186 BPM | ||
Pulcinella, Ballet in One Act After Pergolesi for Soprano, Tenor, Bass, Soloists and Orchestra: XVII. Gavotta with Two Variations | Igor Stravinsky, Vladimir Jurowski, London Philharmonic Orchestra | G Minor | 0 | 6A | 140 BPM | ||
Michelangelo 70 (arr. A. Liarmakopoulos for trombone, bandoneon, piano and double bass) | Achilles Liarmakopoulos, Hector del Curto, Octavio Brunetti, Pedro Giraudo | D Major | 3 | 10B | 114 BPM | ||
March from Symphonic Metamorfosis V | Paul Hindemith, Göteborg Wind Orchestra, Christian Lindberg | E♭ Major | 7 | 5B | 74 BPM | ||
Suite, Op. 54: Andantino cantabile | Ladislav Aloys, Deutsches Horn Ensemble | G Major | 0 | 9B | 93 BPM |
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