"Cinq Poèmes: Rôdeuses au front de verre" by Paul Éluard, Francis Poulenc, Noël Lee, Bernard Kruysen was released on September 1, 2004. With Cinq Poèmes: Rôdeuses au front de verre being less than two minutes long, at 1:34, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 29 in the song's album "Poulenc : Mélodies - Catalogue classique 2004". In this album, this song's track order is #28. Based on our statistics, Cinq Poèmes: Rôdeuses au front de verre's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Cinq Poèmes: Rôdeuses au front de verre by Paul Éluard, Francis Poulenc, Noël Lee, Bernard Kruysen having a BPM of 130 with a half-time of 65 BPM and a double-time of 260 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Das Veilchen, KochS WoO 27, (J.W. von Goethe) - Lan Rao, Sopran, Micael Gelius, Klavier | Clara Schumann, Lan Rao, Micael Gelius | F Major | 0 | 7B | 67 BPM | ||
Misa Tango: II. Gloria | MartÍn Palmeri, Astoria, Philippe Gérard | C Major | 7 | 8B | 115 BPM | ||
Romanzen, Book 1, Op. 69: No. 5. Meerfey | Robert Schumann, Aquarius, Marc Michael de Smet | G Minor | 0 | 6A | 75 BPM | ||
Au bord de l'eau | Patricia Petibon | C Minor | 1 | 5A | 66 BPM | ||
Vogue, vogue la galère | Camille Saint-Saëns, Anne Sofie von Otter, Bengt Forsberg, Björn Gäfvert | A♭ Major | 1 | 4B | 94 BPM | ||
Mai, Op. 1 No. 2 | Gabriel Fauré, Cyrille Dubois, Tristan Raës | C Major | 0 | 8B | 66 BPM | ||
Eirmos (Heirmós) | Antonis Anestis, Vasilis Lekkas, Paul Eluard, Odysseas Elytis | C Minor | 4 | 5A | 114 BPM | ||
D'un et de deux de tous | Paul Éluard | B♭ Major | 2 | 6B | 105 BPM | ||
Sancte Michael | Timothy A. Helisek, Moscow Bow Tie Choir, Vladimir Podgoretsky | C Minor | 1 | 5A | 87 BPM | ||
Océan | Fanny Hearst | F Major | 1 | 7B | 77 BPM |
Section: 0.5733044147491455
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