Johann Sebastian Bach, Glenn Gould's 'Chromatic Fantasy in D minor, BWV 903a' came out on 1957. Chromatic Fantasy in D minor, BWV 903a is about six minutes long, preciously at 6:17, making this song fairly long compared to other songs. The track order of this song in Johann Sebastian Bach, Glenn Gould's "Glenn Gould plays Bach: 6 Partitas BWV 825-830; Chromatic Fantasy BWV 903; Italian Concerto BWV 971; The Art of the Fugue BWV 1080 (excerpts); Preludes, Fugues & Fantasies" album is number 1 out of 90. In terms of popularity, Chromatic Fantasy in D minor, BWV 903a is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Chromatic Fantasy in D minor, BWV 903a by Johann Sebastian Bach, Glenn Gould to be Andante (at a walking pace) because the track has a tempo of 102 BPM, a half-time of 51BPM, and a double-time of 204 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto For 2 Keyboards In C Minor, BWV 1060: I. Allegro | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | C Minor | 2 | 5A | 96 BPM | ||
Piano Sonata No. 13 in E-Flat Major, Op. 27 No. 1: II. Allegro molto e vivace | Ludwig van Beethoven, Glenn Gould | A♭ Major | 0 | 4B | 54 BPM | ||
Kinderszenen, Op.15: 2. Kuriose Geschichte | Robert Schumann, Martha Argerich | D Major | 0 | 10B | 66 BPM | ||
Suite bergamasque, L.75: 1. Prélude | Claude Debussy, Pascal Rogé | F Major | 0 | 7B | 66 BPM | ||
Prélude In G-Sharp Minor, Op.32, No.12 - Live | Sergei Rachmaninoff, Vladimir Horowitz | E Major | 0 | 12B | 68 BPM | ||
Musical Offering, BWV 1079: Canon 3. a 2 per Motum contrarium | Johann Sebastian Bach, Nils-Thilo Krämer, Ariane Pfister, Christian Benda, Sebastian Benda, Capella Istropolitana | C Minor | 2 | 5A | 172 BPM | ||
Rondo capriccioso in E Major, Op. 14, MWV U 67 | Felix Mendelssohn, Murray Perahia | E Major | 1 | 12B | 113 BPM | ||
Suite for Piano, Op. 25: I. Präludium | Arnold Schoenberg, Glenn Gould | B♭ Major | 2 | 6B | 105 BPM | ||
Quartet for Piano, Violin, Viola & Cello in E-Flat Major, Op. 47: III. Andante cantabile - Remastered | Robert Schumann, Glenn Gould, Robert Mann, Raphael Hillyer, Claus Adam | B♭ Major | 1 | 6B | 96 BPM | ||
Lyric Pieces Book VI, Op.57: 6. Heimweh | Edvard Grieg, Emil Gilels | E Minor | 0 | 9A | 140 BPM |
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