The Horatians and the Curiatians: No. 2, The Deployment - Berlin Radio Symphony Orchestra, Mirjam Sohar, Ensemble Zeitklänge Berlin Information

Acousticness: 96%
Danceability: 50%
Energy: 10%
Instrumentalness: 0%
Liveness: 12%
Loudness: 58%
Speechiness: 7%
Valence: 6%
Popularity: 0%
Loudness: -25.152 dB

Summary

"The Horatians and the Curiatians: No. 2, The Deployment" by Berlin Radio Symphony Orchestra, Mirjam Sohar, Ensemble Zeitklänge Berlin was released on August 8, 2013. With The Horatians and the Curiatians: No. 2, The Deployment being less than two minutes long, at 1:05, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Berlin Radio Symphony Orchestra, Mirjam Sohar, Ensemble Zeitklänge Berlin's "Kurt Schwaen: The Horatians and the Curiatians" album is number 2 out of 31. The popularity of The Horatians and the Curiatians: No. 2, The Deployment is currently unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

The Horatians and the Curiatians: No. 2, The Deployment BPM

We consider the tempo marking of The Horatians and the Curiatians: No. 2, The Deployment by Berlin Radio Symphony Orchestra, Mirjam Sohar, Ensemble Zeitklänge Berlin to be Presto (very, very fast) because the track has a tempo of 181 BPM, a half-time of 90BPM, and a double-time of 362 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.

The Horatians and the Curiatians: No. 2, The Deployment Key

B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Remembrances	John Williams, Itzhak Perlman, Boston Symphony Orchestra	G Minor	1	6A	109 BPM
Prologue: Chorus of Exiled Palestinians	John Adams, Kent Nagano, The Opera De Lyon, London Opera Chorus	F Minor	0	4A	90 BPM
Viborgskaya storona (Viborg District), Op. 50: Overture	Dmitri Shostakovich, Berlin Radio Symphony Orchestra, Michail Jurowski	C Minor	1	5A	92 BPM
Don Quixote, Op. 35, TrV 184: Theme	Richard Strauss, Oslo Philharmonic Orchestra, Vasily Petrenko, Louisa Tuck, Catherine Bullock	G Major	0	9B	129 BPM
Korol' Lir (King Lear), Op. 58a: Returning from the Hunt	Dmitri Shostakovich, Jelena Zaremba, Stanislaw Sulejmanow, Berlin Radio Symphony Orchestra, Michail Jurowski	C Major	3	8B	160 BPM
Peer Gynt, Op. 23: No. 16, Anitra's Dance	Edvard Grieg, San Francisco Symphony, Herbert Blomstedt	A Minor	0	8A	82 BPM
Die Geschichte Eines Unbekannten Schauspielers (The Story of the Unknown Actor): Thema - Titelmusik	Alfred Schnittke, Berlin Radio Symphony Orchestra, Frank Strobel	F Major	0	7B	70 BPM
Gnossiennes - Orch. Poulenc: No.3	Erik Satie, Orchestre National De France, Charles Dutoit	A Minor	0	8A	75 BPM
Pictures At An Exhibition: Gnomus	Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini	B Major	0	1B	99 BPM
Giovanni Battista Pergolesi: Stabat Mater: Quando Corpus Morietur And Amen	Wolfgang Amadeus Mozart, Simon Preston, The Choir Of Westminster Abbey	F Minor	0	4A	130 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.6663050651550293

End: 0.6710169315338135