Why Must the Show Go On - Noel Coward Information

Acousticness
99%
Danceability
30%
Energy
6%
Instrumentalness
0%
Liveness
16%
Loudness
67%
Speechiness
4%
Valence
32%
Popularity
Loudness
-19.806 dB

Summary

Noel Coward's 'Why Must the Show Go On' came out on February 3, 1928. With this song being around four minutes long, at 3:58, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 49 in the song's album "Presenting Noël Coward". In this album, this song's track order is #39. Furthermore, we believe that the track originated from Germany. Why Must the Show Go On is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Why Must the Show Go On BPM

With Why Must the Show Go On by Noel Coward having a BPM of 78 with a half-time of 39 BPM and a double-time of 156 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

Why Must the Show Go On Key

This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
There's a Long, Long Trail by John McCormackThere's a Long, Long TrailJohn McCormackA Major211B167 BPM
This Is Worth Fighting For by Shep Fields & His New Music, Shep Fields, Ray Ekstrand, Al Freistat, Ben Glassman, Tom L. Lucas, Babe Fresk, Bob Lawson, Berg Vaughn, George Ford, Bill Clifton, Tony Kay, Al Benson, Simon (Sid) Greenfield, Ken CarterThis Is Worth Fighting ForShep Fields & His New Music, Shep Fields, Ray Ekstrand, Al Freistat, Ben Glassman, Tom L. Lucas, Babe Fresk, Bob Lawson, Berg Vaughn, George Ford, Bill Clifton, Tony Kay, Al Benson, Simon (Sid) Greenfield, Ken CarterD♭ Major13B88 BPM
We'll Meet Again by Peggy Lee With The Benny Goodman OrchestraWe'll Meet AgainPeggy Lee With The Benny Goodman OrchestraA Minor28A132 BPM
Politics by Bob CrosbyPoliticsBob CrosbyG Major39B122 BPM
If I Knew You Were Coming I'd Have Baked A Cake by Gracie Fields, Malcolm Lockyer And His Orchestra, The KeynotesIf I Knew You Were Coming I'd Have Baked A CakeGracie Fields, Malcolm Lockyer And His Orchestra, The KeynotesB♭ Major46B81 BPM
When You're In Love by Russ ColumboWhen You're In LoveRuss ColumboE♭ Major25B110 BPM
Coming In On A Wing And A Prayer by Anne SheltonComing In On A Wing And A PrayerAnne SheltonE♭ Major35B105 BPM
Dawn of a new day by Horace Heidt And His Orchestra, Horace HeidtDawn of a new dayHorace Heidt And His Orchestra, Horace HeidtF Major47B95 BPM
Dancing in the Dark by Bea WainDancing in the DarkBea WainG Major19B82 BPM
If You Were the Only Girl in the World (And I Were the Only Boy) by Rudy ValleeIf You Were the Only Girl in the World (And I Were the Only Boy)Rudy ValleeC Major18B145 BPM
ISRC
DEUE12356061
Label
L-M Records/RCA Records

Section: 0.6965248584747314

End: 0.7010049819946289