Noel Coward's 'Why Must the Show Go On' came out on February 3, 1928. With this song being around four minutes long, at 3:58, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 49 in the song's album "Presenting Noël Coward". In this album, this song's track order is #39. Furthermore, we believe that the track originated from Germany. Why Must the Show Go On is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Why Must the Show Go On by Noel Coward having a BPM of 78 with a half-time of 39 BPM and a double-time of 156 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
There's a Long, Long Trail | John McCormack | A Major | 2 | 11B | 167 BPM | ||
This Is Worth Fighting For | Shep Fields & His New Music, Shep Fields, Ray Ekstrand, Al Freistat, Ben Glassman, Tom L. Lucas, Babe Fresk, Bob Lawson, Berg Vaughn, George Ford, Bill Clifton, Tony Kay, Al Benson, Simon (Sid) Greenfield, Ken Carter | D♭ Major | 1 | 3B | 88 BPM | ||
We'll Meet Again | Peggy Lee With The Benny Goodman Orchestra | A Minor | 2 | 8A | 132 BPM | ||
Politics | Bob Crosby | G Major | 3 | 9B | 122 BPM | ||
If I Knew You Were Coming I'd Have Baked A Cake | Gracie Fields, Malcolm Lockyer And His Orchestra, The Keynotes | B♭ Major | 4 | 6B | 81 BPM | ||
When You're In Love | Russ Columbo | E♭ Major | 2 | 5B | 110 BPM | ||
Coming In On A Wing And A Prayer | Anne Shelton | E♭ Major | 3 | 5B | 105 BPM | ||
Dawn of a new day | Horace Heidt And His Orchestra, Horace Heidt | F Major | 4 | 7B | 95 BPM | ||
Dancing in the Dark | Bea Wain | G Major | 1 | 9B | 82 BPM | ||
If You Were the Only Girl in the World (And I Were the Only Boy) | Rudy Vallee | C Major | 1 | 8B | 145 BPM |
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