"Piano Sonata No. 2: I. Maestoso - Agitato" by Grażyna Bacewicz, Peter Jablonski was released on February 4, 2022. Since Piano Sonata No. 2: I. Maestoso - Agitato is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 18 out of 20 in Bacewicz: Piano Works by Grażyna Bacewicz, Peter Jablonski. Going off of the ISRC code of this track, we detected that the origin of this track is from Finland. In terms of popularity, Piano Sonata No. 2: I. Maestoso - Agitato is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Piano Sonata No. 2: I. Maestoso - Agitato by Grażyna Bacewicz, Peter Jablonski is Andante (at a walking pace), since this song has a tempo of 98 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Divertimento for Strings, BB 118 (Sz.113): III. Allegro assai | Béla Bartók, Orpheus Chamber Orchestra | B♭ Major | 1 | 6B | 105 BPM | ||
Antiche danze ed arie per liuto, Suite No. 3, P. 172: III. Siciliana. Andantino | Ottorino Respighi, Riccardo Chailly, Orchestra Filarmonica Della Scala | C Minor | 1 | 5A | 131 BPM | ||
Violin Sonata in A Major, M. 8: III. Recitativo - Fantasia (Ben moderato) | César Franck, Lisa Batiashvili, Giorgi Gigashvili | E Minor | 0 | 9A | 101 BPM | ||
交響曲 第2番 ニ短調 Op. 73 II- Adagio non troppo | Johannes Brahms, Stanisław Skrowaczewski, Yomiuri Nippon Symphony Orchestra | B Major | 1 | 1B | 79 BPM | ||
Glück: I. Andante | Siegfried Wagner, Rundfunk-Sinfonieorchester Frankfurt, Dimitrij Kitajenko | A Minor | 0 | 8A | 86 BPM | ||
Wieniawski / Arr. Kreisler: Caprice in E-Flat Major (Alla saltarella), Op. 10 No. 10 | Henryk Wieniawski, Vilde Frang | E♭ Major | 2 | 5B | 112 BPM | ||
Don Quixote, Op. 35, TrV 184: Theme | Richard Strauss, Oslo Philharmonic Orchestra, Vasily Petrenko, Louisa Tuck, Catherine Bullock | G Major | 0 | 9B | 129 BPM | ||
Symphony No. 2 In C Minor - "Resurrection" / 1st Movement - Allegro maestoso (Totenfeier): Im Tempo nachgeben | Gustav Mahler, Wiener Philharmoniker, Gilbert Kaplan | B Major | 1 | 1B | 152 BPM | ||
Giselle / Act 1: No. 2 Entrée du Prince | Adolphe Adam, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | C Major | 0 | 8B | 141 BPM | ||
Symphony No. 2 "The Age of Anxiety" / Part 1 / 2. The Seven Ages: Variation 3. Largamente, ma mosso | Leonard Bernstein, Krystian Zimerman, Berliner Philharmoniker, Sir Simon Rattle | A Major | 1 | 11B | 140 BPM |
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