Katharina Kammerloher, Carl Philipp Emanuel Bach Chamber Orchestra, Hartmut Haenchen made "La gara degli dei: No. 3, " Sa quella, che le fasce"" available on April 26, 2013. With this song being around four minutes long, at 3:46, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Various Artists's "Heinichen: La gara degli dei" album is number 4 out of 27. On top of that, Germany appears to be the country where this track was created. In terms of popularity, La gara degli dei: No. 3, " Sa quella, che le fasce" is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of La gara degli dei: No. 3, " Sa quella, che le fasce" by Katharina Kammerloher, Carl Philipp Emanuel Bach Chamber Orchestra, Hartmut Haenchen to be Moderato (at a moderate speed) because the track has a tempo of 115 BPM, a half-time of 58BPM, and a double-time of 230 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mélodies persanes, Op. 26: No. 2, La Splendeur vide | Camille Saint-Saëns, Véronique Gens, Munich Radio Orchestra, Herve Niquet | B♭ Major | 1 | 6B | 74 BPM | ||
Liebesliederwalzer, Op. 52: III. O die Frauen | Johannes Brahms, Georg Friedrich Daumer, Konrad Jarnot, Camillo Radicke, Christoph Berner, Werner Güra | D Major | 2 | 10B | 130 BPM | ||
Der Freischütz, Op. 77, Act 1 Scene 4 & 5: Nr. 2, Terzetto con Cori "Oh diese Sonne" (Max, Kuno, Kaspar, Chor) & Dialog | Carl Maria von Weber, René Jacobs, Freiburger Barockorchester, Maximilian Schmitt, Matthias Winckhler, Dimitry Ivashchenko, Zürcher Sing-Akademie | C Major | 3 | 8B | 130 BPM | ||
The Dream of Gerontius, Op. 38, Pt. 2: Lord, Thou hast been our refuge - Radio Edit | Edward Elgar, Gabrieli, Paul McCreesh, Anna Stephany | D Major | 0 | 10B | 85 BPM | ||
Gioas. Re di Giuda: "Traggasi infelice altrove a delirar!" | Anton Casimir Cartellieri, Katharina Kammerloher, Thomas Quasthoff, Hugo Mallet, Gernot Schmalfuss, Detmolder Kammerorchester | G Major | 1 | 9B | 75 BPM | ||
4 Lieder, Op. 43: I. Von ewiger Liebe - Dunkel, wie dunkel | Johannes Brahms, Anne Sofie von Otter, Bengt Forsberg | B Major | 1 | 1B | 130 BPM | ||
Petite messe solennelle: VIII. Gloria. Qui tollis | Gioachino Rossini, Giulio Prandi, Sandrine Piau, José Maria Lo Monaco, Francesco Corti, Deniel Perer | A Minor | 1 | 8A | 83 BPM | ||
Gurre-Lieder / Part 1: 3. "O, wenn des Mondes Strahlen" | Arnold Schoenberg, Jessye Norman, Boston Symphony Orchestra, Seiji Ozawa | D♭ Major | 1 | 3B | 86 BPM | ||
Verschiedene Volkslieder, WoO 157: No. 8, By the Side of the Shannon | Ludwig van Beethoven, Gerald Finley, Nicola Benedetti, Sheku Kanneh-Mason, Benjamin Grosvenor | G Major | 2 | 9B | 103 BPM | ||
Bei dir ist es traut | Alma Mahler, Kaleidoscope Chamber Collective, Francesca Chiejina | A♭ Major | 3 | 4B | 69 BPM |
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