Terry Gilkyson, Richard M. Sherman, Robert B. Sherman, Cincinnati Pops Orchestra, Erich Kunzel, Indiana University Singing Hoosiers, His Master's Voice made "Medley from "The Jungle Book" (Arr. K. Whitcomb)" available on May 23, 1989. Since Medley from "The Jungle Book" (Arr. K. Whitcomb) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 7 out of 12 in A Disney Spectacular by Erich Kunzel, Cincinnati Pops Orchestra, Indiana University Singing Hoosiers, School for Creative Performing Arts Children's Chorus, May Festival Chorus, His Master's Voice, Tracy Dahl, Douglas Webster. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Medley from "The Jungle Book" (Arr. K. Whitcomb)'s popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Medley from "The Jungle Book" (Arr. K. Whitcomb) by Terry Gilkyson, Richard M. Sherman, Robert B. Sherman, Cincinnati Pops Orchestra, Erich Kunzel, Indiana University Singing Hoosiers, His Master's Voice is Allegro (fast, quick, and bright), since this song has a tempo of 125 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Teardrop Cloud's Veil | Adán Ramírez | G Major | 3 | 9B | 72 BPM | ||
Fisher’s Hornpipe (Arr. C. McTee & F. Slatkin for Orchestra) | Traditional, The Manhattan School of Music Symphony Orchestra, Leonard Slatkin | D Major | 4 | 10B | 74 BPM | ||
Lost in This World | Shen Yun Symphony Orchestra | E Minor | 3 | 9A | 112 BPM | ||
Funny alucarD | Francois Fortin | F♯ Major | 1 | 2B | 132 BPM | ||
Mazeppa, TH 7: Cossack Dance | Pyotr Ilyich Tchaikovsky, Cincinnati Symphony Orchestra, Erich Kunzel | G Major | 1 | 9B | 138 BPM | ||
Webber: Overture to The Phantom of the Opera | Erich Kunzel, Cincinnati Pops Orchestra | B♭ Minor | 2 | 3A | 171 BPM | ||
Les patineurs (Arr. C. Lambert): Pas de deux. Cantabile | Giacomo Meyerbeer, Cincinnati Pops Orchestra, Erich Kunzel | C Major | 0 | 8B | 83 BPM | ||
Carmina Burana Suite, "Cantiones profanae" (arr. J. Krance): IX. In taberna quando sumus (When we are in the tavern) | John Krance, Carl Orff, Peabody Conservatory Wind Ensemble, Harlan D. Parker | A Major | 2 | 11B | 148 BPM | ||
The Battle of Britain Suite: V. Early Encounter | Ron Goodwin, Rumon Gamba, BBC Philharmonic | A♭ Minor | 2 | 1A | 113 BPM | ||
Sånger å de Osjungnas Vägnar: VI. Final Osjungen: II | Per Egland, Christian Lindberg, Wermland Opera Orchestra | E♭ Major | 10 | 5B | 89 BPM |
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