Francesco Geminiani, Academy of Ancient Music, Andrew Manze made "Concerto IX in A Major: IV. Tempo di Gavotta" available on 1999. The duration of Concerto IX in A Major: IV. Tempo di Gavotta is about two minutes long, specifically at 2:35. This song does not appear to have any foul language. Concerto IX in A Major: IV. Tempo di Gavotta's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Francesco Geminiani, Academy of Ancient Music, Andrew Manze's "Geminiani: Concerti grossi (after Corelli, Op.5)" album is number 12 out of 59. On top of that, United States appears to be the country where this track was created. The popularity of Concerto IX in A Major: IV. Tempo di Gavotta is currently not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Concerto IX in A Major: IV. Tempo di Gavotta by Francesco Geminiani, Academy of Ancient Music, Andrew Manze to be Presto (very, very fast) because the track has a tempo of 179 BPM, a half-time of 90BPM, and a double-time of 358 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto a cinque No. 6, Op. 7: III. Allegro | Tomaso Albinoni, Paul Dombrecht, Il Fondamento | D♭ Major | 4 | 3B | 118 BPM | ||
Overture in G Minor | Johan Helmich Roman, Camerata Nordica, Terje Tonnesen | B♭ Major | 2 | 6B | 113 BPM | ||
Overture for Flute and Bassoon in G Major: VII. Air | Christoph Graupner, Pál Németh, Paolo Tognon, Capella Savaria | F♯ Major | 2 | 2B | 131 BPM | ||
Sonata No. 4 in B Flat Major: XVII. 17 3. Grave | Francesco Geminiani, Kristin von der Goltz, Andreas Küppers, Hille Perl, Christoph Dangel, Thomas C. Boysen | A♭ Major | 1 | 4B | 78 BPM | ||
Symphony No. 3 in C Major, Op. 2, "The Chaplet": I. Allegro | William Boyce, Aradia Ensemble, Kevin Mallon | B Major | 2 | 1B | 119 BPM | ||
Concerto Grosso in D Minor, Op. 3, No. 4: I. Largo e staccato | Francesco Geminiani, Capella Istropolitana, Jaroslav Krcek | D Minor | 1 | 7A | 143 BPM | ||
Sonata No. 1 in A Major: IV. 04 4. Allegro | Francesco Geminiani, Kristin von der Goltz, Andreas Küppers, Hille Perl, Christoph Dangel, Thomas C. Boysen | A♭ Major | 1 | 4B | 78 BPM | ||
Concerto No 5 in G minor - Allegro | Giuseppe Torelli, Charivari Agréable, Kah-Ming Ng | F♯ Minor | 3 | 11A | 140 BPM | ||
Sonata in G Minor, No. 5: II. Vivace | Arcangelo Corelli, Lucy van Dael, Bob van Asperen | F♯ Minor | 2 | 11A | 100 BPM | ||
Violin Concerto in C Major, Op. 7 No. 3: I. Allegro | Jean-Marie Leclair, Fabio Biondi, Europa Galante | B Major | 2 | 1B | 83 BPM |
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