"The Domestic Sublime: VI. At The Clothesline" by Katy Abbott, Greta Bradman, Leigh Harrold was released on March 3, 2014. The Domestic Sublime: VI. At The Clothesline is about six minutes long, preciously at 6:25, making this song fairly long compared to other songs. There are a total of 19 in the song's album "The Domestic Sublime: The Vocal Music of Katy Abbott". In this album, this song's track order is #6. Furthermore, we believe that the track originated from Australia. The Domestic Sublime: VI. At The Clothesline is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Domestic Sublime: VI. At The Clothesline by Katy Abbott, Greta Bradman, Leigh Harrold having a BPM of 85 with a half-time of 42 BPM and a double-time of 170 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 5/4.
This song is in the music key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
パリは燃えているか - ブラス・ヴァージョン | Takashi Kako | G Minor | 3 | 6A | 83 BPM | ||
Lucitano II | Christian Lindberg, Pacho Flores, Swedish Chamber Orchestra | C Major | 1 | 8B | 166 BPM | ||
Oberek No. 1 (arr. for brass ensemble by Jarle Storløkken) | Grażyna Bacewicz, tenThing, Tine Thing Helseth | A Minor | 0 | 8A | 66 BPM | ||
Symfonietta, JW VI/18: I. Allegretto | Leoš Janáček, Prague Radio Symphony Orchestra, Tomáš Netopil | D♭ Major | 3 | 3B | 62 BPM | ||
Pirates | Szeged Trombone Ensemble, György Gyivicsan | A Minor | 1 | 8A | 93 BPM | ||
Horn Sonata in B Minor, Op. 27: II. Adagio molto | Kurt Atterberg, Imre Magyari, Ilona Prunyi | A Major | 1 | 11B | 145 BPM | ||
シリウス~煌めく星~ | 陸上自衛隊中部方面音楽隊 | F Major | 1 | 7B | 77 BPM | ||
Bourrée in c minor | Johann Philipp Krieger, Salzburg Concerto Ensemble | F Major | 1 | 7B | 68 BPM | ||
Tilson Thomas: Snappy Patter I | Michael Tilson Thomas, Ian Bousfield | F Major | 2 | 7B | 149 BPM | ||
Carmen Suite No. 2: 5. Danse bohème I | Georges Bizet, Christian Lindberg, Liceu Opera Orchestra | B♭ Major | 1 | 6B | 126 BPM |
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