"Gurre-Lieder / Part 1: 2. "Nun dämpft die Dämmerung"" by Arnold Schoenberg, James McCracken, Boston Symphony Orchestra, Seiji Ozawa was released on January 1, 1979. The duration of Gurre-Lieder / Part 1: 2. "Nun dämpft die Dämmerung" is about 3 minutes long, at 3:26. Based on our data, "Gurre-Lieder / Part 1: 2. "Nun dämpft die Dämmerung"" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 22 in the song's album "Schoenberg: Gurrelieder". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Netherlands. Gurre-Lieder / Part 1: 2. "Nun dämpft die Dämmerung" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Gurre-Lieder / Part 1: 2. "Nun dämpft die Dämmerung" by Arnold Schoenberg, James McCracken, Boston Symphony Orchestra, Seiji Ozawa having a BPM of 88 with a half-time of 44 BPM and a double-time of 176 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
F♯ Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata in D Minor, K. 9 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 0 | 7A | 94 BPM | ||
Children's Album No. 1 "Pictures of Childhood": No. 5, Etude | Aram Khachaturian, Charlene Farrugia | A♭ Major | 1 | 4B | 85 BPM | ||
Zdes' khorosho ('How Fair This Spot'), Op. 21, No. 7 | Sergei Rachmaninoff, Pablo Ferrandez, Denis Kozhukhin | A Major | 0 | 11B | 87 BPM | ||
Violin Partita No. 3 in E Major, BWV 1006: I. Preludio | Johann Sebastian Bach, Hilary Hahn | A Major | 3 | 11B | 126 BPM | ||
Nocturne No. 1 in E Flat Major, H.24 | John Field, Elizabeth Joy Roe | E♭ Major | 0 | 5B | 75 BPM | ||
Gurrelieder, Pt. 2: No. 12, Herrgott, weisst du, was du tatest (Waldemar) | Arnold Schoenberg, Siegfried Jerusalem, Wiener Philharmoniker, Claudio Abbado | A Minor | 3 | 8A | 88 BPM | ||
Goldberg Variations, BWV 988: Aria | Johann Sebastian Bach, Glenn Gould | A♭ Major | 0 | 4B | 123 BPM | ||
Debussy: Petite suite, CD 71, L. 65: I. En bateau (Orch. Büsser) | Claude Debussy, Jean-François Paillard, Orchestre de chambre Jean-François Paillard | G Major | 0 | 9B | 69 BPM | ||
Gurrelieder / Pt. 3: XX. Orchestral Prelude | Arnold Schoenberg, Wiener Philharmoniker, Claudio Abbado | C Major | 0 | 8B | 67 BPM | ||
Elégie in C minor Op. 24 - 1995 Remastered Version | Gabriel Fauré, Jacqueline du Pré | A♭ Major | 0 | 4B | 90 BPM |
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