Johann Friedrich Reichardt, Dietrich Fischer-Dieskau, Maria Graf's 'Lieder der Liebe und der Einsamkeit (Version for Voice & Harp): No. 2, Wechsel' came out on January 1, 2016. With Lieder der Liebe und der Einsamkeit (Version for Voice & Harp): No. 2, Wechsel being less than two minutes long, at 1:20, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 20 in the song's album "Reichardt: Ausgewählte Lieder". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Germany. Based on our statistics, Lieder der Liebe und der Einsamkeit (Version for Voice & Harp): No. 2, Wechsel's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Lieder der Liebe und der Einsamkeit (Version for Voice & Harp): No. 2, Wechsel by Johann Friedrich Reichardt, Dietrich Fischer-Dieskau, Maria Graf having a BPM of 126 with a half-time of 63 BPM and a double-time of 252 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Schubert: Salve Regina in C Major, Op. Posth. 149, D. 811 | Franz Schubert, Capella Bavariae/Wolfgang Sawallisch, Capella Bavariae, Wolfgang Sawallisch | C Major | 2 | 8B | 129 BPM | ||
Romanzen, Book 1, Op. 69: No. 5. Meerfey | Robert Schumann, Aquarius, Marc Michael de Smet | G Minor | 0 | 6A | 75 BPM | ||
Schubert / Arr. Pontier: An die Musik, Op. 88 No. 4, D. 547 | Franz Schubert, Aurélien Pontier | F Minor | 0 | 4A | 72 BPM | ||
Six Moravian Choruses: IV. Parting without Sorrow | Leoš Janáček, Cappella Amsterdam, Daniel Reuss | F Minor | 0 | 4A | 111 BPM | ||
Symphony No. 4 in D Minor, Op. 120: II. Romanze. Ziemlich langsam (Lento assai) | Robert Schumann, Dresdner Philharmonie, Marek Janowski | A Minor | 0 | 8A | 81 BPM | ||
Görlitzer Tabulaturbuch: Gelobet seist du, Jesu Christ, SSWV 442b | Samuel Scheidt, Christoph Lehmann | A Major | 0 | 11B | 141 BPM | ||
Handel: Music for the Royal Fireworks, HWV 351: I. Overture | George Frideric Handel, Menuhin Festival Orchestra, Yehudi Menuhin | D Major | 3 | 10B | 121 BPM | ||
Requiem, Op. 48: 7. In paradisum | Gabriel Fauré, MDR Leipzig Radio Chorus, Staatskapelle Dresden, Sir Colin Davis | G Major | 1 | 9B | 145 BPM | ||
Notturno | Halfdan Kjerulf, G. Zanger, Kerava Quartet | C Major | 0 | 8B | 70 BPM | ||
Behind the ocean | Larimar Music Vibes | A♭ Minor | 0 | 1A | 140 BPM |
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