"Westminster Abbey "Blessed City, Heavenly Salem" (After H. Purcell) [Arr. E. Hawkins for Choir & Organ]" by Anonymous, Collegiate Church of St Mary Warwick Choir, Christopher Monks, Christopher Betts was released on January 12, 2000. With this song being around four minutes long, at 4:03, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 27 in the song's album "The Complete New English Hymnal, Vol. 6". In this album, this song's track order is #21. Westminster Abbey "Blessed City, Heavenly Salem" (After H. Purcell) [Arr. E. Hawkins for Choir & Organ] is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Westminster Abbey "Blessed City, Heavenly Salem" (After H. Purcell) [Arr. E. Hawkins for Choir & Organ] by Anonymous, Collegiate Church of St Mary Warwick Choir, Christopher Monks, Christopher Betts having a BPM of 67 with a half-time of 34 BPM and a double-time of 134 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
A Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Liturgy of St. John Chrysostom, Op. 41: III. Come, Let Us Worship | Pyotr Ilyich Tchaikovsky, National Choir Of The Ukraine "Dumka", Yevhen Savchuk | E♭ Major | 1 | 5B | 97 BPM | ||
La Messe: Introït "Signum Magnum" | Choeur des moines de l'abbaye Notre Dame de Fontgombault | F♯ Minor | 1 | 11A | 135 BPM | ||
Gloria | Probandi Benedittini Di San Giovanni In Parma | D Major | 2 | 10B | 103 BPM | ||
O quanta qualia | Peter Abelard, Augsburg Early Music Ensemble | A Major | 0 | 11B | 69 BPM | ||
Nos Auten. Introito (Modo IV) - 1980 Remastered Version | Anonymous, Coro De Monjes Del Monasterio De Silos | F♯ Major | 1 | 2B | 80 BPM | ||
Os iusti. Gradual (Modo I) - Remasterizado | Anonymous, Coro De Monjes Del Monasterio De Silos, Ismael Fernandez De La Cuesta | B♭ Minor | 9 | 3A | 110 BPM | ||
Huc me sidereo | Adrian Willaert, Singer Pur | A Minor | 1 | 8A | 93 BPM | ||
O Filii et Filiae | Anonymous, Pierre Cochereau, Jehan Revert, Maîtrise de Notre-Dame de Paris, Léon Souberbielle, Jacques Marichal | C Minor | 3 | 5A | 71 BPM | ||
Troparion for Holy Wednesday | Kassia, Cappella Romana, members, Alexander Lingas | C Major | 1 | 8B | 137 BPM | ||
Tempo Della Glora E Della Vita. Graduale: Haec Dies | Canonici Regolari Si Sant'Antimo | F Minor | 1 | 4A | 78 BPM |
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