Improvisation on Hungarian Tunes
Aladar Racz
The Classic of the Cimbalom
6:33 January 1, 2015
BPM
69
Key
B♭ Major
Camelot
6B

Embed

Share Link

Improvisation on Hungarian Tunes - Aladar Racz Information

Acousticness
98%
Danceability
55%
Energy
12%
Instrumentalness
91%
Liveness
8%
Loudness
74%
Speechiness
7%
Valence
64%
Popularity
Loudness
-15.774 dB

Summary

Aladar Racz's ' "Improvisation on Hungarian Tunes" was released on its scheduled release date, January 1, 2015. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 14 in the song's album "The Classic of the Cimbalom". In this album, this song's track order is #13. Furthermore, we believe that the track originated from Hungary. Improvisation on Hungarian Tunes is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.

Improvisation on Hungarian Tunes BPM

With Improvisation on Hungarian Tunes by Aladar Racz having a BPM of 69 with a half-time of 34 BPM and a double-time of 138 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

Improvisation on Hungarian Tunes Key

B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Rothko Chapel 4 by Morton FeldmanRothko Chapel 4Morton FeldmanA Minor08A82 BPM
Ave Verum Corpus (Arr. Pierini for String Quartet) by William Byrd, Delian QuartettAve Verum Corpus (Arr. Pierini for String Quartet)William Byrd, Delian QuartettC Minor05A72 BPM
Sonatina by Morton Feldman, Marilyn Nonken, Stephen MarottoSonatinaMorton Feldman, Marilyn Nonken, Stephen MarottoB♭ Minor03A164 BPM
Perpetuus by Gretchen ManorPerpetuusGretchen ManorC Major18B99 BPM
Sonata per Violoncello solo: I. Dialogo Allegro moderato by Sándor Veress, Alexandre FosterSonata per Violoncello solo: I. Dialogo Allegro moderatoSándor Veress, Alexandre FosterG Major19B170 BPM
dreamy by Quiet WonderdreamyQuiet WonderF Minor04A90 BPM
Croquembouches: III. Nègre en Chemise by Claude Delvincourt, Guido Bäumer, Aladar RaczCroquembouches: III. Nègre en ChemiseClaude Delvincourt, Guido Bäumer, Aladar RaczF Major17B137 BPM
Primer cuaderno: I. Angelico by Federico MompouPrimer cuaderno: I. AngelicoFederico MompouA Minor08A100 BPM
Tsumi by Fábio CaramuruTsumiFábio CaramuruA Major311B134 BPM
10 Silencios Fatuos, Op. 16: No. 5 by Julián De La Chica10 Silencios Fatuos, Op. 16: No. 5Julián De La ChicaG Minor06A76 BPM
ISRC
HUA250009813
Label
L-M Records/RCA Records