Georg Philipp Telemann, London Baroque's 'Trio Sonata in G Major, TWV 42:G10: I. Cantabile' came out on May 28, 2013. The duration of Trio Sonata in G Major, TWV 42:G10: I. Cantabile is about two minutes long, specifically at 2:25. This song does not appear to have any foul language. Trio Sonata in G Major, TWV 42:G10: I. Cantabile's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 21 in the song's album "The Trio Sonata in 18th-Century Germany". In this album, this song's track order is #15. Furthermore, we believe that the track originated from Sweden. In terms of popularity, Trio Sonata in G Major, TWV 42:G10: I. Cantabile is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Trio Sonata in G Major, TWV 42:G10: I. Cantabile by Georg Philipp Telemann, London Baroque having a BPM of 99 with a half-time of 50 BPM and a double-time of 198 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Sonata in E-Flat Major: I. Allegretto | Franz Benda, Georg Kallweit, Berlin Baroque Compagney | D Major | 0 | 10B | 78 BPM | ||
Trio Sonata in B-Flat Major, Op. 1, No. 10, RV 78: I. Preludio (Adagio) | Antonio Vivaldi, Ingrid Seifert, Richard Gwilt, Charles Medlam, Terence R. Charlston, Irmgard Schaller, London Baroque | F♯ Minor | 1 | 11A | 79 BPM | ||
Trio Sonata in G Minor, Op. 2 No. 5, HWV 390: II. Allegro | George Frideric Handel, London Baroque | D♭ Minor | 1 | 12A | 81 BPM | ||
Trio Sonata in C Major, TWV 42:C2: I. Dolce | Georg Philipp Telemann, Erik Bosgraaf, Lucile Boulanger, Robert Smith, Alessandro Pianu | B Major | 0 | 1B | 94 BPM | ||
Trio Sonata in D Major, Op. 1 No. 5: I. Allegro | William Boyce, London Baroque | B Major | 2 | 1B | 70 BPM | ||
Trios de la chambre du Roi, LWV 35 (Ed. R. Gwilt): No. 47, Chaconne in C Major | Jean-Baptiste Lully, London Baroque | B Major | 3 | 1B | 105 BPM | ||
Sonata in G, Op.1, No.9: 3. Allegro | Arcangelo Corelli, Monica Huggett, Alison Bury, Hopkinson Smith, Ton Koopman, Jaap Ter Linden | F♯ Major | 2 | 2B | 124 BPM | ||
9 Fantasias à 3: No. 8, — | Orlando Gibbons, London Baroque | D♭ Minor | 1 | 12A | 81 BPM | ||
Concerto for Two Violas in G Major, TWV 52:G3: Concerto for Two Violas in G Major, TWV 52:G3: IV. Vivement | Georg Philipp Telemann, Antoine Tamestit, Sabine Fehlandt, Akademie für Alte Musik Berlin, Bernhard Forck | F♯ Major | 3 | 2B | 77 BPM | ||
Trio Sonata in G Major, Op. 3 No. 2: III. Largo | Thomas Arne, London Baroque | B Major | 2 | 1B | 70 BPM |
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