Margot Kazimirska made "Bourrées/Piqués On a Gavotte 4/4: Keyboard Suite No. 8 in G Major, HWV 441," available on December 2, 2013. With Bourrées/Piqués On a Gavotte 4/4: Keyboard Suite No. 8 in G Major, HWV 441, being less than two minutes long, at 1:08, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Margot Kazimirska's "Music for Ballet Class: Dance With Margot, Vol. 8" album is number 24 out of 47. On top of that, United States appears to be the country where this track was created. Based on our statistics, Bourrées/Piqués On a Gavotte 4/4: Keyboard Suite No. 8 in G Major, HWV 441,'s popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Bourrées/Piqués On a Gavotte 4/4: Keyboard Suite No. 8 in G Major, HWV 441, by Margot Kazimirska to be Allegro (fast, quick, and bright) because the track has a tempo of 131 BPM, a half-time of 66BPM, and a double-time of 262 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Big Waltz That's Amore | Harry Warren, Lisa Harris | B♭ Major | 1 | 6B | 97 BPM | ||
Sur Le Pointe 2/4 [64 Measures] | Tatyana Grigoryants | C Major | 1 | 8B | 116 BPM | ||
Sissonnes/ Medium Jumps 3/4: Il Bacio | Margot Kazimirska | D Major | 3 | 10B | 202 BPM | ||
Adage 1 in B-Major, Ballet "Flower Festival in Genzano", Act 1, Pas-de -Deux | Edvard Helsted, Konstantin Mortensen | F Major | 1 | 7B | 64 BPM | ||
Bending Time (Plies, Barre Technique) | David Howard, Douglas Corbin | B♭ Major | 2 | 6B | 108 BPM | ||
Trip a Little Light Fantastic (From "Mary Poppins Returns") Very Fast Tendu | Ray Lindsey | B♭ Minor | 2 | 3A | 123 BPM | ||
Pliés 4/4: I've Got You Under My Skin (From "Born to Dance") | Margot Kazimirska | E♭ Major | 2 | 5B | 132 BPM | ||
Music for Ballet Class, Series 2: Grands battements 2 | Massimiliano Greco | A♭ Major | 3 | 4B | 128 BPM | ||
But Not for Me - Grand Battement | Peter James | F Minor | 3 | 4A | 125 BPM | ||
Grand Battements: Barre Technique | David Howard, Joe Cross | F Major | 2 | 7B | 129 BPM |
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