Koor Van De Nationale Reisopera, Orchestra Of Eastern Netherlands & Gabriele Bellini's 'Atto Secondo: "Ah! Perché Non Posso Odiarti"' came out on 1999. With this song being around four minutes long, at 4:03, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 5 out of 26 in Bellini: La Sonnambula by Koor Van De Nationale Reisopera, Orchestra Of Eastern Netherlands & Gabriele Bellini. Atto Secondo: "Ah! Perché Non Posso Odiarti" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Atto Secondo: "Ah! Perché Non Posso Odiarti" by Koor Van De Nationale Reisopera, Orchestra Of Eastern Netherlands & Gabriele Bellini is Andante (at a walking pace), since this song has a tempo of 80 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lucrezia Borgia / Act 2: Era desso il figlio mio | Gaetano Donizetti, Renée Fleming, Coro del Maggio Musicale Fiorentino, Orchestra of St. Luke's, Patrick Summers | B♭ Minor | 1 | 3A | 98 BPM | ||
La Forza Del Destino: Sinfonia | Koor Van De Nationale Reisopera, Orchestra Of Eastern Netherlands & Gabriele Bellini | E Minor | 1 | 9A | 65 BPM | ||
Ah! non credea mirarti (from Sonnambula) | Vincenzo Bellini, Christine Schäfer, Julien Salemkour | G Major | 1 | 9B | 68 BPM | ||
Core 'ngrato (orch. G. Chiaramello) | Salvatore Cardillo, Giancarlo Chiaramello, Dmitri Hvorostovsky, Russian Philharmonia, Constantine Orbelian | D♭ Major | 1 | 3B | 136 BPM | ||
Il Pirata, Act I: Ebben; cominci, o barbara | Vincenzo Bellini, Felice Romani, Javier Camarena, Marina Rebeka, Franco Vassallo, Gustavo de Gennaro, Antonio Di Matteo, Sonia Fortunato, Fabricio Maria Carminati, Orchestra del Teatro Massimo Bellini di Catania | F Major | 3 | 7B | 171 BPM | ||
Der Freischütz, Op. 77, J. 277: Jägerchor | Carl Maria von Weber, Radio Kamer Filharmonie, Groot Omroepkoor, Michael Schønwandt, Michael Gläser | D♭ Major | 2 | 3B | 123 BPM | ||
Te Deum: Sanctus | Johann Simon Mayr, Priska Eser-Streit, Merit Ostermann, Andreas Hirtreiter, Jorg Schneider, Robert Merwald, Simon Mayr Choir, Franz Hauk, Ingolstadt Georgian Chamber Orchestra | A♭ Minor | 2 | 1A | 125 BPM | ||
Offenbach: La vie parisienne, Act 1: Chœur. "À Paris, nous arrivons en masse" - "Je suis Brésilien, j'ai de l'or" (Gardefeu, Le Baron, La Baronne, Le Brésilien, Chœur) | Jacques Offenbach, Michel Plasson, Christiane Château, Choeur Du Capitole De Toulouse, Jean Christophe Benoit, Luis Masson, Michel Sénéchal, Orchestre Du Capitole De Toulouse | C Major | 3 | 8B | 98 BPM | ||
Pulcinella, Ballet in One Act After Pergolesi for Soprano, Tenor, Bass, Soloists and Orchestra: XIX. Pupillette, fiammette (Tempo di Minuetto) | Igor Stravinsky, Vladimir Jurowski, London Philharmonic Orchestra, Angharad Lyddon, Sam Furness, Matthew Rose | G Minor | 0 | 6A | 140 BPM | ||
Rossini: Il turco in Italia, Act 1: "Voga, voga, a terra, a terra" (Fiorilla, Coro) | Gioachino Rossini, Maria Callas, Coro Del Teatro Alla Scala Di Milano, Gianandrea Gavazzeni, Orchestra Del Teatro Alla Scala, Milano | E Minor | 1 | 9A | 102 BPM |
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