Rajesh Krishnan, Shreya Ghoshal made "Madarangi" available on June 24, 2007. Madarangi is about six minutes long, preciously at 5:35, making this song fairly long compared to other songs. The track order of this song in Puneeth Rajkumar, Parvathi Menon's "Milana" album is number 7 out of 8. On top of that, India appears to be the country where this track was created. In terms of popularity, Madarangi is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Madarangi by Rajesh Krishnan, Shreya Ghoshal to be Andante (at a walking pace) because the track has a tempo of 92 BPM, a half-time of 46BPM, and a double-time of 184 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Yeko Yeno | Sanjith Hegde, Anuradha Bhat | A Minor | 7 | 8A | 120 BPM | ||
Kempegowdruralli | Upendra, Priya Hemesh | G Major | 7 | 9B | 95 BPM | ||
Annange Love Aagidhe | Yash, Manju Mandavya | F♯ Major | 7 | 2B | 80 BPM | ||
Nodayya Kwate Lingave | M. D. Pallavi | F Major | 8 | 7B | 93 BPM | ||
Moda Modalu - From "Yeswanth" | Rajesh Krishnan, Nanditha | F♯ Major | 8 | 2B | 95 BPM | ||
Yaare Nee Devatheya (From "Ambari") | Chetan Sosca | A Minor | 7 | 8A | 170 BPM | ||
Bombe Adsonu - From "Drama" | V. Hari Krishna | F Minor | 6 | 4A | 122 BPM | ||
Urumila Urumila | Manu, Manjula Gururaj | G Minor | 6 | 6A | 126 BPM | ||
Ondonde | Rajesh, Raksha Arvindu | G Minor | 6 | 6A | 100 BPM | ||
Hoo Kanasa Jokali (From "Inthi Nanna Preethiya") | Hemanth, Nanditha | D♭ Minor | 9 | 12A | 121 BPM |
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