Lev Atovmyan, Dmitri Shostakovich, Russian Philharmonic Orchestra, Dmitry Yablonsky's 'Ballet Suite No. 4 (arr. L. Atovmyan): Scherzo (The Bolt)' came out on October 6, 2004. With this song being around four minutes long, at 3:33, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 21 in the song's album "Shostakovich: Ballet Suites Nos. 1-4". In this album, this song's track order is #21. Ballet Suite No. 4 (arr. L. Atovmyan): Scherzo (The Bolt) is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Ballet Suite No. 4 (arr. L. Atovmyan): Scherzo (The Bolt) by Lev Atovmyan, Dmitri Shostakovich, Russian Philharmonic Orchestra, Dmitry Yablonsky having a BPM of 77 with a half-time of 38 BPM and a double-time of 154 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Othello, Op. 79: III. Willow Song | Samuel Coleridge-Taylor, RTE Concert Orchestra, Adrian Leaper | A♭ Major | 0 | 4B | 73 BPM | ||
8 Slavonic Dances, Op. 72, B. 147: 5. Spacírka. Poco Adagio - Vivace | Antonín Dvořák, Czech Philharmonic Orchestra, Jiří Bělohlávek | D♭ Major | 4 | 3B | 84 BPM | ||
Henry VIII: Danse de la gypsy | Camille Saint-Saëns, Razumovsky Symphony Orchestra, Andrew Mogrelia | D Minor | 1 | 7A | 82 BPM | ||
Hamlet Suite, Op. 116a (arr. L. Atovmyan): I. Introduction | Lev Atovmyan, Dmitri Shostakovich, Berlin Radio Symphony Orchestra, Leonid Grin | B♭ Major | 5 | 6B | 110 BPM | ||
American Suite: II. Danse | William Grant Still, Royal Scottish National Orchestra, Avlana Eisenberg | E Major | 1 | 12B | 71 BPM | ||
Cinderella-Suite Nr. 1, Op. 107: VIII. Midnight | Sergei Prokofiev, Ukrainian State Symphony Orchestra, Theodore Kuchar | D Minor | 2 | 7A | 77 BPM | ||
Die Puppenfee (The Fairy Doll): No. 15 Waltz | Josef Bayer, Slovak Radio Symphony Orchestra, Andrew Mogrelia | A Major | 0 | 11B | 181 BPM | ||
The Sleeping Beauty, Op. 66: Polonez | State Academic Symphony Orchestra of the USSR, Yevgeny Svetlanov | A Minor | 6 | 8A | 117 BPM | ||
Cinderella, Op. 87: 12. Spring Fairy | Sergei Prokofiev, Russian National Orchestra, Mikhail Pletnev | D Major | 0 | 10B | 128 BPM | ||
Instruments Of The Orchestra: Prokofiev: Peter And The Wolf: The Duck | Jeremy Siepmann | A♭ Major | 0 | 4B | 94 BPM |
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