"Armonici entusiasmi di Davide, Op. 9, Psalm 110 "Confitebor tibi Domine": Psalm 110, "Confitebor tibi Domine": Fidelia omnia mandata ejus" by Giovanni Battista Bassani, Alessandro Carmignani, Nova Ars Cantandi, Giovanni Acciai was released on May 5, 2015. The duration of Armonici entusiasmi di Davide, Op. 9, Psalm 110 "Confitebor tibi Domine": Psalm 110, "Confitebor tibi Domine": Fidelia omnia mandata ejus is about 3 minutes long, at 3:28. Based on our data, "Armonici entusiasmi di Davide, Op. 9, Psalm 110 "Confitebor tibi Domine": Psalm 110, "Confitebor tibi Domine": Fidelia omnia mandata ejus" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 17 out of 67 in Bassani: Armonici entusiasmi di Davide, Op. 9 by Giovanni Battista Bassani, Nova Ars Cantandi, Giovanni Acciai. Armonici entusiasmi di Davide, Op. 9, Psalm 110 "Confitebor tibi Domine": Psalm 110, "Confitebor tibi Domine": Fidelia omnia mandata ejus is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Armonici entusiasmi di Davide, Op. 9, Psalm 110 "Confitebor tibi Domine": Psalm 110, "Confitebor tibi Domine": Fidelia omnia mandata ejus by Giovanni Battista Bassani, Alessandro Carmignani, Nova Ars Cantandi, Giovanni Acciai is Adagio (slowly with great expression), since this song has a tempo of 67 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Missa Paschalis, ZWV 7: Credo. Crucifixus | Jan Dismas Zelenka, Inégal Ensemble, Adam Viktora, Gabriela Eibenová, Marian Krejcik, Terry Wey, Cyril Auvity | A♭ Minor | 2 | 1A | 119 BPM | ||
Gagliarda Prima detta la Galante | The Royal Wind Music | A♭ Minor | 0 | 1A | 66 BPM | ||
Sonata & Suite in D-Dur: Sonata & Suite in D-Dur: I. Adagio | Dietrich Becker, La Rêveuse, Florence Bolton, Sébastien Wonner, Benjamin Perrot | D♭ Major | 1 | 3B | 90 BPM | ||
Missa Sancti Pauli: No. 18, Crucifixus | Francesco Bartolomeo Conti, Adriána Kalafszky, Peter Bárány, Zoltán Megyesi, Thomas Dolie, Purcell Choir, Orfeo Orchestra, Gyorgy Vashegyi | D Major | 1 | 10B | 94 BPM | ||
Languet anima mea BWV deest 1006: IV. Aria: Tu lumen mentis es | Francesco Bartolomeo Conti, Johann Sebastian Bach, Bach Collegium Japan, Masaaki Suzuki, Hana Blaziková | E♭ Minor | 2 | 2A | 74 BPM | ||
Sonata No. 10 in F Major, “L’ affetuosa”: I. Allegro affettuoso | Giuseppe Sammartini, Claudio Ferrarini, Accademia Farnese | C Major | 4 | 8B | 213 BPM | ||
La Morte delusa: Gloria: Io, con la tromba d'oro | Giovanni Battista Bassani, Philippe Jaroussky, La Fenice, Jean Tubéry | D♭ Major | 2 | 3B | 94 BPM | ||
Trios Pour Le Coucher Du Roi - Symphony | İzmir Barok | D♭ Minor | 4 | 12A | 121 BPM | ||
Sonata in G Minor, Z. 780: I. Adagio - Allegro - Largo - Vivace | Henry Purcell, Rachel Podger, Brecon Baroque | A♭ Minor | 2 | 1A | 112 BPM | ||
Kuhnau: Magnificat in C Major: V. Chorus. "Quia fecit" | Johann Kuhnau, Hermann Max, Das Kleine Konzert, Rheinische Kantorei | D♭ Major | 2 | 3B | 109 BPM |
Section: 0.6147606372833252
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