Philippe Sarde, Toots Thielemans, Larry Coryell made "Contre-jour" available on January 1, 1981. With this song being around four minutes long, at 4:09, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Philippe Sarde, Toots Thielemans, Larry Coryell's "La nuit ensoleillée (Bande originale du film)" album is number 6 out of 11. On top of that, France appears to be the country where this track was created. Based on our statistics, Contre-jour's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Contre-jour by Philippe Sarde, Toots Thielemans, Larry Coryell to be Allegro (fast, quick, and bright) because the track has a tempo of 138 BPM, a half-time of 69BPM, and a double-time of 276 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Theme, From : "The Apartment" | Ted Heath & His Music | F Major | 2 | 7B | 95 BPM | ||
Musetta's Waltz | Giacomo Puccini, Arranged By, Dick Hyman, Moe Koffman | A Major | 1 | 11B | 86 BPM | ||
Love Theme from Lolita | Nelson Riddle | F Major | 2 | 7B | 97 BPM | ||
Die Geschichte Eines Unbekannten Schauspielers (The Story of the Unknown Actor): Thema - Titelmusik | Alfred Schnittke, Berlin Radio Symphony Orchestra, Frank Strobel | F Major | 0 | 7B | 70 BPM | ||
Klute | Michael Small | E Minor | 4 | 9A | 96 BPM | ||
Doe Eyes - Love Theme from the Bridges of Madison County | Lennie Niehaus, Clint Eastwood | C Major | 0 | 8B | 84 BPM | ||
Morte a Venezia - Adagietto From the 5th Symphony of Mahler - Theme from the Film "Morte a Venezia" | Peter Hamilton Orchestra, Dorsey Dodd | D♭ Minor | 1 | 12A | 95 BPM | ||
Tatiana | Claude Bolling | D Major | 4 | 10B | 89 BPM | ||
Enterrement Sous-Marin (Version Sifflée) - Bof Les Aventuriers | Bernard Gérard | G Major | 0 | 9B | 131 BPM | ||
Libidine 8 | Nora Orlandi, Stelvio Cipriani | C Minor | 6 | 5A | 78 BPM |
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