Convocamini, congregamini: No. 5, Franget haec
Rinaldo Alessandrini, Concerto Italiano, Sonia Tedla
Stradella: Mottetti
1:56 June 21, 2024
BPM
93
Key
A Major
Camelot
11B

Embed

Share Link

Convocamini, congregamini: No. 5, Franget haec - Rinaldo Alessandrini, Concerto Italiano, Sonia Tedla Information

Acousticness
98%
Danceability
33%
Energy
33%
Instrumentalness
0%
Liveness
25%
Loudness
83%
Speechiness
4%
Valence
39%
Popularity
Loudness
-10.262 dB

Summary

Rinaldo Alessandrini, Concerto Italiano, Sonia Tedla's 'Convocamini, congregamini: No. 5, Franget haec' had a release date set for June 21, 2024. With This song being less than two minutes long, at 1:56, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 38 in the song's album "Stradella: Mottetti". In this album, this song's track order is #33. Furthermore, we believe that the track originated from France. In terms of popularity, Convocamini, congregamini: No. 5, Franget haec is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Convocamini, congregamini: No. 5, Franget haec BPM

With Convocamini, congregamini: No. 5, Franget haec by Rinaldo Alessandrini, Concerto Italiano, Sonia Tedla having a BPM of 93 with a half-time of 46 BPM and a double-time of 186 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.

Convocamini, congregamini: No. 5, Franget haec Key

This song has a musical key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
St. Matthew Passion, BWV 244: No. 18. Recitative: Wiewohl mein Herz in Tranen schwimmt (Soprano) by Johann Sebastian Bach, Zeger Vandersteene, Istvan Gati, Magda Kalmár, Julia Hamari, Ernst-Gerold Schramm, Jeunesses Musicales Chorus, Budapest Boys' Choir of the Primary School of Music, Franz Liszt Chamber Orchestra, Frigyes SándorSt. Matthew Passion, BWV 244: No. 18. Recitative: Wiewohl mein Herz in Tranen schwimmt (Soprano)Johann Sebastian Bach, Zeger Vandersteene, Istvan Gati, Magda Kalmár, Julia Hamari, Ernst-Gerold Schramm, Jeunesses Musicales Chorus, Budapest Boys' Choir of the Primary School of Music, Franz Liszt Chamber Orchestra, Frigyes SándorC Major18B61 BPM
Sistite sidera, coeli motus otiamini: No. 2, Aria, Sistite sidera, coeli motus otiamini: No. 2, Aria, "Ignis calor sopitus existat"Rinaldo Alessandrini, Concerto Italiano, Sonia TedlaA Major311B93 BPM
Membra Jesu nostri, BuxWV 75: IVb. Ad latus: Salve latus Salvatoris by Dietrich Buxtehude, Roberto Balconi, Daniele Carnovich, Mario Cecchetti, Roberta Invernizzi, Caterina Trogu, Radio Svizzera Choir, Lugano, Sonatori de la Gioiosa Marca, Accademia Instrumentale Italiana, Diego FasolisMembra Jesu nostri, BuxWV 75: IVb. Ad latus: Salve latus SalvatorisDietrich Buxtehude, Roberto Balconi, Daniele Carnovich, Mario Cecchetti, Roberta Invernizzi, Caterina Trogu, Radio Svizzera Choir, Lugano, Sonatori de la Gioiosa Marca, Accademia Instrumentale Italiana, Diego FasolisF♯ Minor211A100 BPM
Musicalisches Gesang-Buch Georg Christian Schemelli: I. No. 37, Gott lebet noch, BWV 461 by Johann Sebastian Bach, Masaaki Suzuki, Aki Matsui, Shimon Yoshida, Toru YamamotoMusicalisches Gesang-Buch Georg Christian Schemelli: I. No. 37, Gott lebet noch, BWV 461Johann Sebastian Bach, Masaaki Suzuki, Aki Matsui, Shimon Yoshida, Toru YamamotoE♭ Minor22A74 BPM
Concerto in E Minor: I. Adagio e staccato by Benedetto Marcello, Concerto Italiano, Rinaldo AlessandriniConcerto in E Minor: I. Adagio e staccatoBenedetto Marcello, Concerto Italiano, Rinaldo AlessandriniB Major01B132 BPM
Gloria in D Major, RV 589: No. 8, Domine Deus, Agnus Dei by Antonio Vivaldi, Sara Mingardo, Concerto Italiano, Akademia Vocal Ensemble, Rinaldo AlessandriniGloria in D Major, RV 589: No. 8, Domine Deus, Agnus DeiAntonio Vivaldi, Sara Mingardo, Concerto Italiano, Akademia Vocal Ensemble, Rinaldo AlessandriniD♭ Minor012A177 BPM
Languet anima mea BWV deest 1006: IV. Aria: Tu lumen mentis es by Francesco Bartolomeo Conti, Johann Sebastian Bach, Bach Collegium Japan, Masaaki Suzuki, Hana BlazikováLanguet anima mea BWV deest 1006: IV. Aria: Tu lumen mentis esFrancesco Bartolomeo Conti, Johann Sebastian Bach, Bach Collegium Japan, Masaaki Suzuki, Hana BlazikováE♭ Minor22A74 BPM
Buxtehude: Membra Jesu nostri, BuxWV 75: III. Ad manus. Buxtehude: Membra Jesu nostri, BuxWV 75: III. Ad manus. "Quid sunt plagae istae"Dietrich Buxtehude, Ton Koopman, Barbara Schlick, Monika Frimmer, Michael Chance, Christoph Prégardien, Peter Kooij, Knabenchor Hannover, Amsterdam Baroque OrchestraD Major110B130 BPM
Prima die Lectio prima: V. Plorans ploravit by Emilio de' Cavalieri, Le Poème Harmonique, Vincent DumestrePrima die Lectio prima: V. Plorans ploravitEmilio de' Cavalieri, Le Poème Harmonique, Vincent DumestreF♯ Major02B103 BPM
Tilge, Höchster, meine Sünden, BWV 1083 (After Pergolesi's Stabat Mater): Missetaten, die mich drucken (Soprano, Alto) by Johann Sebastian Bach, Céline Scheen, Damien Guillon, Le Banquet CélesteTilge, Höchster, meine Sünden, BWV 1083 (After Pergolesi's Stabat Mater): Missetaten, die mich drucken (Soprano, Alto)Johann Sebastian Bach, Céline Scheen, Damien Guillon, Le Banquet CélesteF♯ Minor111A114 BPM
ISRC
FRZ132315330
Label
L-M Records/RCA Records