La Capella Reial De Catalunya, Hespèrion XXI, Daan Verlaan, Jordi Savall, Sergi Casademunt, Philippe Pierlot, Daniel Lasalle's 'Gesproken tekst 2: Adage 145. "Wie niet waagt, wie niet wint" / Muziek: Fortuna desperata' came out on 2012. The duration of Gesproken tekst 2: Adage 145. "Wie niet waagt, wie niet wint" / Muziek: Fortuna desperata is about two minutes long, specifically at 2:09. This song does not appear to have any foul language. Gesproken tekst 2: Adage 145. "Wie niet waagt, wie niet wint" / Muziek: Fortuna desperata's duration is considered a little bit shorter than the average duration of a typical track. The song is number 5 out of 91 in Erasmus - Lof der zotheid (Nederlandse versie) by La Capella Reial De Catalunya, Hespèrion XXI, Jordi Savall. In terms of popularity, Gesproken tekst 2: Adage 145. "Wie niet waagt, wie niet wint" / Muziek: Fortuna desperata is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Gesproken tekst 2: Adage 145. "Wie niet waagt, wie niet wint" / Muziek: Fortuna desperata by La Capella Reial De Catalunya, Hespèrion XXI, Daan Verlaan, Jordi Savall, Sergi Casademunt, Philippe Pierlot, Daniel Lasalle is Moderato (at a moderate speed), since this song has a tempo of 117 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Argentum et aurum | Heinrich Isaac, Ensemble Leones, Els Janssens-Vanmunster, Marc Lewon | A Minor | 2 | 8A | 88 BPM | ||
Tallis: Loquebantur Variis Linguis - 2. Repleti Sunt Omnes | The Tallis Scholars, Peter Phillips | F Minor | 1 | 4A | 61 BPM | ||
Viola da Gamba Suite in D Major: I. Prelude | Carl Friedrich Abel, Paolo Pandolfo | D♭ Major | 0 | 3B | 85 BPM | ||
Requiem: Kyrie | Johannes Ockeghem, Musica Ficta, Bo Holten | G Major | 1 | 9B | 73 BPM | ||
Myn hert altyt heeft verlanghen I | Pierre de la Rue, Capilla Flamenca, Patrick Denecker | G Minor | 2 | 6A | 96 BPM | ||
sopra Canaryo | Paolo Pandolfo, Andrea De Carlo, Thomas Boysen, Guido Morini, Alvaro Garrido | G Major | 1 | 9B | 79 BPM | ||
Adue Sweet Love | Tobias Hume, Labyrinto, Paolo Pandolfo | D♭ Minor | 0 | 12A | 110 BPM | ||
Motets: Alma redemptoris mater | Guillaume Dufay, Pomerium, Alexander Blachly | C Major | 1 | 8B | 74 BPM | ||
Motets: Cantate domino | Gregorio Allegri, A Sei Voci, Bernard Fabre-Garrus | F Major | 2 | 7B | 77 BPM | ||
… che col partire | Paolo Pandolfo, Andrea De Carlo, Thomas Boysen, Guido Morini, Alvaro Garrido | A Minor | 1 | 8A | 118 BPM |
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