"Chansons gaillardes: Sérénade" by Anonyme 17ème Siècle, Francis Poulenc, Noël Lee, Bernard Kruysen was released on September 1, 2004. The duration of Chansons gaillardes: Sérénade is about two minutes long, specifically at 2:11. This song does not appear to have any foul language. Chansons gaillardes: Sérénade's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 29 in the song's album "Poulenc : Mélodies - Catalogue classique 2004". In this album, this song's track order is #15. In terms of popularity, Chansons gaillardes: Sérénade is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Chansons gaillardes: Sérénade by Anonyme 17ème Siècle, Francis Poulenc, Noël Lee, Bernard Kruysen having a BPM of 110 with a half-time of 55 BPM and a double-time of 220 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 3/4.
G Minor is the music key of this track. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
25 Scottish Songs, Op. 108: No. 20, Faithfu' Johnie | Ludwig van Beethoven, Gerald Finley, Nicola Benedetti, Sheku Kanneh-Mason, Benjamin Grosvenor | E♭ Major | 1 | 5B | 99 BPM | ||
Messa di Gloria: Sanctus | Giacomo Puccini, Gunnar Lundberg, Antonello Palombi, Hungarian Radio Chorus, Hungarian Operetta Orchestra, Pier Giorgio Morandi | F♯ Minor | 0 | 11A | 97 BPM | ||
Messa da Requiem for Soloists, Chorus and Orchestra: I. Requiem & Kyrie | Giuseppe Verdi, Leonard Bernstein, London Symphony Orchestra | A Major | 1 | 11B | 83 BPM | ||
La bonne chanson, Op. 61: No. 1, Une Sainte en son auréole | Gabriel Fauré, Stéphane Degout, Alain Planès | D Major | 2 | 10B | 127 BPM | ||
Enigma Variations. Nimrod: Lux Aeterna | Edward Elgar, London Choral Sinfonia | E Major | 1 | 12B | 87 BPM | ||
Quid gloriaris in malitia (salmo 51) | Orfeón de Miravalles | C Minor | 1 | 5A | 78 BPM | ||
Già il sole dal Gange | Alessandro Scarlatti, Holly Bewlay, Sarah Rhee | D Minor | 1 | 7A | 83 BPM | ||
Liebeslieder-Walzer, Op. 52: No. 1, Rede, Mädchen, allzu liebes | Johannes Brahms, RIAS Kammerchor, Justin Doyle, Angela Gassenhuber, Philip Mayers | C Major | 3 | 8B | 129 BPM | ||
Petite messe solennelle: V. Gloria. Et in terra pax hominibus | Gioachino Rossini, Giulio Prandi, Coro Ghislieri, Sandrine Piau, José Maria Lo Monaco, Edgardo Rocha, Christian Senn, Francesco Corti, Deniel Perer | G Major | 1 | 9B | 102 BPM | ||
Peer Gynt, Op. 23, Act V Scene 10: Pinsesalme: Velsignede morgen (Whitsun Hymn: Oh Blessed Morning) | Edvard Grieg, Svein Sturla Hungnes, Marita Sølberg, Kari Simonsen, Andrea Bræin Hovig, Bjorn Willberg Andersen, Ståle Bjørnhaug, Håkan Hagegård, Ingebjorg Kosmo, Kari Postma, Hilde Haraldsen Sveen, Ilkka Leppänen, Torbjorn Gulbrandsoy, Bergen Philharmonic Orchestra, Ole Kristian Ruud | E Minor | 0 | 9A | 68 BPM |
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