"Påskemorgen Slukker Sorgen" by Kirsten Flagstad was released on October 26, 1999. The duration of Påskemorgen Slukker Sorgen is about 3 minutes long, at 3:13. Based on our data, "Påskemorgen Slukker Sorgen" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Kirsten Flagstad's "Hymns" album is number 12 out of 16. On top of that, Norway appears to be the country where this track was created. Påskemorgen Slukker Sorgen is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Påskemorgen Slukker Sorgen by Kirsten Flagstad to be Adagio (slowly with great expression) because the track has a tempo of 69 BPM, a half-time of 34BPM, and a double-time of 138 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Les Pêcheurs de perles: Me voilà seule dans la nuit (Leïla) | Georges Bizet, Janine Micheau/Orchestre du Théâtre National de I'Opéra-Comique/Pierre Dervaux, Pierre Dervaux, Orchestre du Theatre National de IOpera-Comique, Orchestre Du Theatre National De L'opera-comique | F Major | 1 | 7B | 65 BPM | ||
Grande messe des morts, Op. 5, "Requiem": Rex tremendae | Hector Berlioz, Michael Schade, Toronto Mendelssohn Choir, Toronto Mendelssohn Youth Choir, Elora Festival Orchestra, Noel Edison | B♭ Major | 0 | 6B | 79 BPM | ||
Parsifal, WWV 111 / Act I: He! Ho! Waldhüter ihr | Richard Wagner, Marjon Lambriks, Dunja Vejzovic, Anne Gjevang, Claes-Håkon Ahnsjö, Kurt Moll, Kurt Rydl, Berliner Philharmoniker, Herbert von Karajan | G Major | 2 | 9B | 128 BPM | ||
Offenbach: Orphée aux enfers, Act 1: "La mort m'apparaît souriante" (Eurydice) | Jacques Offenbach, Marc Minkowski, Orchestre de Chambre de Grenoble, Orchestre De L'Opéra National De Lyon | G Major | 0 | 9B | 100 BPM | ||
La Bohème / Act 1: "Abasso, abbasso l'autor!" | Giacomo Puccini, Luciano Pavarotti, Rolando Panerai, Nicolai Ghiaurov, Gianni Maffeo, Berliner Philharmoniker, Herbert von Karajan | D Major | 3 | 10B | 90 BPM | ||
Haugtussa, Op.67: 5. Elsk / Elskov / Love. Allegretto con moto | Kirsten Flagstad, Edwin McArthur | A Major | 1 | 11B | 95 BPM | ||
Haugtussa, Op.67: 7. Vond dag / Ond Dag / Hurtful Day. Andante espressivo | Kirsten Flagstad, Edwin McArthur | A Major | 1 | 11B | 95 BPM | ||
Turandot / Act 3: Tu che di gel sei cinta | Giacomo Puccini, Montserrat Caballé, Luciano Pavarotti, John Alldis Choir, London Philharmonic Orchestra, Zubin Mehta | E♭ Minor | 2 | 2A | 145 BPM | ||
O Divine Redeemer | Charles Gounod, Kirsten Flagstad, London Philharmonic Orchestra, Sir Adrian Boult | A Major | 2 | 11B | 84 BPM | ||
Der Freischütz, J. 277 / Act II: "Kommt ein schlanker Bursch gegangen" | Carl Maria von Weber, Edith Mathis, Staatskapelle Dresden, Carlos Kleiber | C Major | 2 | 8B | 95 BPM |
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