"Glinka: The Lark (L'Alouette, arr. Mily Balkirev) - Live" by Mikhail Glinka, Mikhail Pletnev was released on April 12, 2024. With this song being about 5 minutes long, at 5:14, "Glinka: The Lark (L'Alouette, arr. Mily Balkirev) - Live" by Mikhail Glinka, Mikhail Pletnev is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. Because this song is the only song in Glinka: The Lark (L'Alouette, arr. Mily Balkirev) [Live] and no other songs are present in the album, we classify this track as a single. On top of that, Germany appears to be the country where this track was created. Glinka: The Lark (L'Alouette, arr. Mily Balkirev) - Live is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Glinka: The Lark (L'Alouette, arr. Mily Balkirev) - Live by Mikhail Glinka, Mikhail Pletnev to be Andante (at a walking pace) because the track has a tempo of 83 BPM, a half-time of 42BPM, and a double-time of 166 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Der Sterngucker: Act I: Abgang (Lilly, Franz) | Franz Lehár, Lothar Odinius, Claudia Rohrbach, Hanna Dora Sturludottir, Robert Worle, Markus Kohler, Angelika Bamber, Alexander Broer, German Chamber Academy Neuss, Johannes Goritzki | E Major | 1 | 12B | 135 BPM | ||
Rachmaninoff: Piano Concerto No. 4 in G Minor, Op. 40 : II. Largo (1941 Revised Version) - Live | Sergei Rachmaninoff, Rachmaninoff International Orchestra, Mikhail Pletnev, Kent Nagano | G Minor | 2 | 6A | 104 BPM | ||
Rachmaninoff: Rhapsody on a Theme of Paganini, Op. 43: Var. 12. Tempo di minuetto - Live | Sergei Rachmaninoff, Rachmaninoff International Orchestra, Mikhail Pletnev, Kent Nagano | G Minor | 2 | 6A | 104 BPM | ||
Nocturne in F Minor "La Séparation" | Mikhail Glinka, Vadim Chaimovich | F Minor | 0 | 4A | 66 BPM | ||
Trois études poétiques, Op. 32: I. Étude poétique | Signe Lund, Rune Alver | C Major | 0 | 8B | 64 BPM | ||
Rachmaninov: Polka de W. R. (After Behr’s La rieuse, Op. 303) | Sergei Rachmaninoff, Aurélien Pontier | E♭ Major | 1 | 5B | 108 BPM | ||
Endless Serenity | Marco Risolino, Ludovico Leone | E Minor | 0 | 9A | 68 BPM | ||
Scarlatti, D: Keyboard Sonata in C Major, Kk. 159 | Domenico Scarlatti, Fazıl Say | C Major | 3 | 8B | 164 BPM | ||
12 Études, Op. 10: No. 2 in A Minor "Chromatique" | Frédéric Chopin, Yunchan Lim | A♭ Major | 2 | 4B | 75 BPM | ||
Pavane variée: Var. 3. Più tranquillo, poco rubato a piacere | Marc-André Hamelin | C Major | 0 | 8B | 129 BPM |
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