"Receive the Body of Christ: In 1st Tone" by Hierodeacon Hierotheos, Byzantine сhoir of the Nikolo-Malitsky monastery in Tver, Various Composers was released on March 16, 2021. With this song being about 5 minutes long, at 4:30, "Receive the Body of Christ: In 1st Tone" by Hierodeacon Hierotheos, Byzantine сhoir of the Nikolo-Malitsky monastery in Tver, Various Composers is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 20 out of 23 in Byzantine Liturgy: Athos Tradition of Byzantine Chant (Full Version) by Hierodeacon Hierotheos, Byzantine сhoir of the Nikolo-Malitsky monastery in Tver, Various Composers. The popularity of Receive the Body of Christ: In 1st Tone is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Receive the Body of Christ: In 1st Tone by Hierodeacon Hierotheos, Byzantine сhoir of the Nikolo-Malitsky monastery in Tver, Various Composers is Vivace (lively and fast), since this song has a tempo of 176 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Feria quarta: Offertory. Portas caeli | Gloriae Dei Cantores, Unknown Artist, Elizabeth C. Patterson | A♭ Minor | 1 | 1A | 83 BPM | ||
Missa: Sanctus, Modo II | Popular, Coro de Monjas Benedictinas del Real Monasterio de San Pelayo de Oviedo | F Major | 0 | 7B | 128 BPM | ||
Responsorios: Unus ex discipulis (a 4 v.m.) - Remastered | Schola Cantorum de la Universidad Pontificia de Comillas | E♭ Major | 5 | 5B | 115 BPM | ||
Inviolata, integra et casta es, Maria | Ensemble Hofkapelle, Michael Procter | C Major | 8 | 8B | 124 BPM | ||
Memorare Domine - Antífona | Schola Antiqua | B Major | 1 | 1B | 174 BPM | ||
Graduel d'Aliénor de Bretagne, Messe de minuit: Kyrie trope. Pater cuncta | Unknown, Vox Clamantis, Jaan-Eik Tulve | F Major | 0 | 7B | 135 BPM | ||
Μυσταγωγών Σου Κύριε | Ορθόδοξη Εκκλησιαστική Βυζαντινή Χορωδία | F♯ Major | 3 | 2B | 108 BPM | ||
Alabaremos Tu Nombre | Monjes Del Monasterio De San Pedro | E Minor | 3 | 9A | 73 BPM | ||
Deus in Adjutorium: Viri Galilaei | Cantarte Regensburg | G Major | 1 | 9B | 136 BPM | ||
Missa "Mater Patris": Gloria from the mass Mater Matris | Josquin des Prez, Jerycho, Bartosz Izbicki | E Major | 2 | 12B | 66 BPM |
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