"Twenty-Four Preludes Set I, Op. 163: VIII. Prelude No. 8" by Charles Villiers Stanford, Peter Jacobs was released on December 13, 2019. With Twenty-Four Preludes Set I, Op. 163: VIII. Prelude No. 8 being less than two minutes long, at 1:49, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 8 out of 90 in British Piano Collection Vol. I by Peter Jacobs. Twenty-Four Preludes Set I, Op. 163: VIII. Prelude No. 8 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Twenty-Four Preludes Set I, Op. 163: VIII. Prelude No. 8 by Charles Villiers Stanford, Peter Jacobs is Larghetto (rather broadly), since this song has a tempo of 63 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
E♭ Minor is the music key of this track. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Crucifixion: IX. Chorus – God so loved the world | John Stainer, Choir of St Mary's Cathedral, Edinburgh, Duncan Ferguson | E Major | 2 | 12B | 76 BPM | ||
Mass for Double Choir: I. Kyrie | Frank Martin, Westminster Choir, Joe Miller | E Minor | 1 | 9A | 80 BPM | ||
Tallis: A New Commandment | The Tallis Scholars, Peter Phillips | D♭ Minor | 1 | 12A | 79 BPM | ||
Requiem, Op. 63: IVf. Rex tremendae maiestatis – | Charles Villiers Stanford, James Way, Ross Ramgobin, Carolyn Sampson, Marta Fontanals-Simmons, University of Birmingham Voices, City Of Birmingham Symphony Orchestra, Martyn Brabbins | E Minor | 2 | 9A | 88 BPM | ||
Qui en la garde du haut Dieu pour jamais se retire (Ps. 91) | Jan Pieterszoon Sweelinck, Daniel Reuss, Cappella Amsterdam | B Minor | 2 | 10A | 91 BPM | ||
Dona Nobis Pacem Cantata: III. Reconciliation | Ralph Vaughan Williams, Bryden Thomson, London Philharmonic Orchestra, Brian Rayner Cook, Edith Wiens, London Philharmonic Choir | D Major | 2 | 10B | 78 BPM | ||
Call To Remembrance | The Choir Of Waltham Abbey, Stuart Nicholson | F♯ Minor | 0 | 11A | 0 BPM | ||
Alleluia | Randall Thompson, Mark Kruczek, Voices of Ascension Chorus, Dennis Keene | D Major | 1 | 10B | 82 BPM | ||
Magnificat in C Minor | George Dyson, The Choir of St. George's Church, Christopher Gray, Nigel McClintock | A Major | 0 | 11B | 77 BPM | ||
Il bianco e dolce cigno: Il bianco e dolce cigno | Jacques Arcadelt, Laudantes Consort, Guy Janssens | G Major | 1 | 9B | 47 BPM |
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