Twenty-Four Preludes Set I, Op. 163: VIII. Prelude No. 8
Charles Villiers Stanford, Peter Jacobs
British Piano Collection Vol. I
1:49 December 13, 2019
BPM
63
Key
E♭ Minor
Camelot
2A

Embed

Share Link

Twenty-Four Preludes Set I, Op. 163: VIII. Prelude No. 8 - Charles Villiers Stanford, Peter Jacobs Information

Acousticness
100%
Danceability
32%
Energy
3%
Instrumentalness
87%
Liveness
11%
Loudness
52%
Speechiness
3%
Valence
10%
Popularity
Loudness
-28.957 dB

Summary

"Twenty-Four Preludes Set I, Op. 163: VIII. Prelude No. 8" by Charles Villiers Stanford, Peter Jacobs was released on December 13, 2019. With Twenty-Four Preludes Set I, Op. 163: VIII. Prelude No. 8 being less than two minutes long, at 1:49, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 8 out of 90 in British Piano Collection Vol. I by Peter Jacobs. Twenty-Four Preludes Set I, Op. 163: VIII. Prelude No. 8 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Twenty-Four Preludes Set I, Op. 163: VIII. Prelude No. 8 BPM

The tempo marking of Twenty-Four Preludes Set I, Op. 163: VIII. Prelude No. 8 by Charles Villiers Stanford, Peter Jacobs is Larghetto (rather broadly), since this song has a tempo of 63 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.

Twenty-Four Preludes Set I, Op. 163: VIII. Prelude No. 8 Key

E♭ Minor is the music key of this track. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
The Crucifixion: IX. Chorus – God so loved the world by John Stainer, Choir of St Mary's Cathedral, Edinburgh, Duncan FergusonThe Crucifixion: IX. Chorus – God so loved the worldJohn Stainer, Choir of St Mary's Cathedral, Edinburgh, Duncan FergusonE Major212B76 BPM
Mass for Double Choir: I. Kyrie by Frank Martin, Westminster Choir, Joe MillerMass for Double Choir: I. KyrieFrank Martin, Westminster Choir, Joe MillerE Minor19A80 BPM
Tallis: A New Commandment by The Tallis Scholars, Peter PhillipsTallis: A New CommandmentThe Tallis Scholars, Peter PhillipsD♭ Minor112A79 BPM
Requiem, Op. 63: IVf. Rex tremendae maiestatis – by Charles Villiers Stanford, James Way, Ross Ramgobin, Carolyn Sampson, Marta Fontanals-Simmons, University of Birmingham Voices, City Of Birmingham Symphony Orchestra, Martyn BrabbinsRequiem, Op. 63: IVf. Rex tremendae maiestatis –Charles Villiers Stanford, James Way, Ross Ramgobin, Carolyn Sampson, Marta Fontanals-Simmons, University of Birmingham Voices, City Of Birmingham Symphony Orchestra, Martyn BrabbinsE Minor29A88 BPM
Qui en la garde du haut Dieu pour jamais se retire (Ps. 91) by Jan Pieterszoon Sweelinck, Daniel Reuss, Cappella AmsterdamQui en la garde du haut Dieu pour jamais se retire (Ps. 91)Jan Pieterszoon Sweelinck, Daniel Reuss, Cappella AmsterdamB Minor210A91 BPM
Dona Nobis Pacem Cantata: III. Reconciliation by Ralph Vaughan Williams, Bryden Thomson, London Philharmonic Orchestra, Brian Rayner Cook, Edith Wiens, London Philharmonic ChoirDona Nobis Pacem Cantata: III. ReconciliationRalph Vaughan Williams, Bryden Thomson, London Philharmonic Orchestra, Brian Rayner Cook, Edith Wiens, London Philharmonic ChoirD Major210B78 BPM
Call To Remembrance by The Choir Of Waltham Abbey, Stuart NicholsonCall To RemembranceThe Choir Of Waltham Abbey, Stuart NicholsonF♯ Minor011A0 BPM
Alleluia by Randall Thompson, Mark Kruczek, Voices of Ascension Chorus, Dennis KeeneAlleluiaRandall Thompson, Mark Kruczek, Voices of Ascension Chorus, Dennis KeeneD Major110B82 BPM
Magnificat in C Minor by George Dyson, The Choir of St. George's Church, Christopher Gray, Nigel McClintockMagnificat in C MinorGeorge Dyson, The Choir of St. George's Church, Christopher Gray, Nigel McClintockA Major011B77 BPM
Il bianco e dolce cigno: Il bianco e dolce cigno by Jacques Arcadelt, Laudantes Consort, Guy JanssensIl bianco e dolce cigno: Il bianco e dolce cignoJacques Arcadelt, Laudantes Consort, Guy JanssensG Major19B47 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.7128384113311768

End: 0.7172439098358154