"Le Lagrime d'Orfeo: 28. Funeste piagge "Euridice"" by Giulio Caccini, Ensemble Pygmalion, Raphael Pichon, Renato Dolcini was released on May 19, 2017. With this song being about 5 minutes long, at 4:39, "Le Lagrime d'Orfeo: 28. Funeste piagge "Euridice"" by Giulio Caccini, Ensemble Pygmalion, Raphael Pichon, Renato Dolcini is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 37 in the song's album "Stravaganza d'Amore! The Birth of Opera at the Medici Court". In this album, this song's track order is #7. Le Lagrime d'Orfeo: 28. Funeste piagge "Euridice" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Le Lagrime d'Orfeo: 28. Funeste piagge "Euridice" by Giulio Caccini, Ensemble Pygmalion, Raphael Pichon, Renato Dolcini having a BPM of 87 with a half-time of 44 BPM and a double-time of 174 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Third Dirge Anthem: I Heard a Voice from Heaven | Thomas Morley, Vox Luminis, Lionel Meunier, Les Trompettes des Plaisirs, Jean-François Madeuf | A♭ Minor | 0 | 1A | 133 BPM | ||
Amor, io parto | Giulio Caccini, Stephan Van Dyck, Christina Pluhar, Paulina Van Laarhoven, Eero Palviainen, Francisco Gato, Vincent Libert | G Major | 1 | 9B | 74 BPM | ||
Adoration | Felix Borowski, Angèle Dubeau, Rachel Laurin | D Major | 1 | 10B | 74 BPM | ||
Solveig's song | Edvard Grieg, Anna Netrebko | A Minor | 1 | 8A | 173 BPM | ||
Toccata per spinettina e Violin | Giulio Caccini, Ensemble Ricercare Antico | A♭ Minor | 2 | 1A | 115 BPM | ||
Nulla in mundo pax, RV 630: 1. Nulla in mundo pax | Antonio Vivaldi, Emma Kirkby, Academy of Ancient Music, Christopher Hogwood | E♭ Major | 1 | 5B | 99 BPM | ||
Amarilli Mia Bella | Giulio Caccini, Monika Mauch, Nigel North | D♭ Major | 0 | 3B | 68 BPM | ||
Albinoni / Giazotto : The Beatitudes (Adagio) | Tomaso Albinoni, Edward Higginbottom, Capricorn, Choir of New College, Oxford | C Minor | 2 | 5A | 95 BPM | ||
Dvorák: Rusalka, Op. 114, B. 203, Act I: Song to the Moon | Antonín Dvořák, Gautier Capuçon, Adrien Perruchon, Orchestre de chambre de Paris | F♯ Major | 1 | 2B | 89 BPM | ||
Nel cor più non mi sento | Giovanni Paisiello, Cecilia Bartoli, György Fischer | F Major | 0 | 7B | 138 BPM |
Section: 0.6063709259033203
End: 0.6092348098754883