- BPM
- 147
- Key
- A Minor
- Camelot
- 8A
Piazzolla / Arr. Verhelst: María de Buenos Aires Suite: II. Fuga y misterio - Live - Astor Piazzolla, Brass of the Royal Concertgebouw Orchestra, Ivan Meylemans Information
- Acousticness
- 98%
- Danceability
- 42%
- Energy
- 26%
- Instrumentalness
- 93%
- Liveness
- 8%
- Loudness
- 65%
- Speechiness
- 10%
- Valence
- 13%
- Popularity
- 13%
- Loudness
- -20.886 dB
Summary
"Piazzolla / Arr. Verhelst: María de Buenos Aires Suite: II. Fuga y misterio - Live" by Astor Piazzolla, Brass of the Royal Concertgebouw Orchestra, Ivan Meylemans was released on November 24, 2014. With this song being about 5 minutes long, at 4:32, "Piazzolla / Arr. Verhelst: María de Buenos Aires Suite: II. Fuga y misterio - Live" by Astor Piazzolla, Brass of the Royal Concertgebouw Orchestra, Ivan Meylemans is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 12 out of 14 in Brass Too (Live) by Brass of the Royal Concertgebouw Orchestra. Based on our statistics, Piazzolla / Arr. Verhelst: María de Buenos Aires Suite: II. Fuga y misterio - Live's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Piazzolla / Arr. Verhelst: María de Buenos Aires Suite: II. Fuga y misterio - Live BPM
The tempo marking of Piazzolla / Arr. Verhelst: María de Buenos Aires Suite: II. Fuga y misterio - Live by Astor Piazzolla, Brass of the Royal Concertgebouw Orchestra, Ivan Meylemans is Allegro (fast, quick, and bright), since this song has a tempo of 147 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
Piazzolla / Arr. Verhelst: María de Buenos Aires Suite: II. Fuga y misterio - Live Key
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Oblivion - Arr. pour piano et clarinette | Astor Piazzolla, Florent Héau, Marcela Roggeri | C Minor | 0 | 5A | 138 BPM | |
 | Allegro Tangabile III | Astor Piazzolla, Axiom Brass | E Minor | 4 | 9A | 135 BPM | |
 | Tchaikovsky: Symphony No. 4 in F Minor, Op. 36: III. Scherzo (Pizzicato ostinato - Allegro) | Pyotr Ilyich Tchaikovsky, San Francisco Symphony, Michael Tilson Thomas | C Major | 1 | 8B | 156 BPM | |
 | Blithe Bells (After J.S. Bach's BWV 208) | Percy Grainger, Royal Norwegian Navy Band, Bjarte Engeset | B Major | 2 | 1B | 89 BPM | |
 | Dance Movements: IV. Molto Ritmico | Philip Sparke, North Texas Wind Symphony, Eugene Migliaro Corporon | A♭ Major | 3 | 4B | 141 BPM | |
 | Haydn: Trumpet Concerto In E Flat - Ii Andante | Franz Joseph Haydn, Tine Thing Helseth | A♭ Major | 0 | 4B | 74 BPM | |
 | An Original Suite: I. March | Gordon Jacob, North Texas Wind Symphony, Eugene Migliaro Corporon | G Minor | 3 | 6A | 120 BPM | |
 | Lohengrin, WWV 75: Prelude To Act III | Richard Wagner, Wiener Philharmoniker, Karl Böhm | G Major | 3 | 9B | 120 BPM | |
 | T-Bone Concerto | Joseph Alessi | C Major | 2 | 8B | 113 BPM | |
 | Saxophone Sonata, Op. 19: I. With Vigor | Paul Creston, Ivo Janssen, Arno Bornkamp | B Major | 2 | 1B | 135 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.5586025714874268
End: 0.5626029968261719