Lennon, Mccartney, Lautten Compagney, Asya Fateyeva, Wolfgang Katschner made "Being for the Benefit of Mr. Kite (Arr. for baroque orchestra and saxophone)" available on October 8, 2021. The duration of Being for the Benefit of Mr. Kite (Arr. for baroque orchestra and saxophone) is about 3 minutes long, at 3:20. Based on our data, "Being for the Benefit of Mr. Kite (Arr. for baroque orchestra and saxophone)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 28 in the song's album "Time Travel". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Germany. In terms of popularity, Being for the Benefit of Mr. Kite (Arr. for baroque orchestra and saxophone) is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Being for the Benefit of Mr. Kite (Arr. for baroque orchestra and saxophone) by Lennon, Mccartney, Lautten Compagney, Asya Fateyeva, Wolfgang Katschner having a BPM of 97 with a half-time of 48 BPM and a double-time of 194 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Asturias | Isaac Albéniz, Aleksander Debicz, Łukasz Kuropaczewski | E Minor | 2 | 9A | 127 BPM | ||
No Time to Die | Finneas O'Connell, Billie Eilish O'Connell, Raphaela Gromes, Julian Riem | E Minor | 1 | 9A | 140 BPM | ||
Symphony No. 3 in F Major, Op. 90: III. Poco Allegretto | Johannes Brahms, London Philharmonic Orchestra, Marin Alsop | C Minor | 0 | 5A | 164 BPM | ||
Andante Festivo | Jean Sibelius, Gothenburg Symphony Orchestra, Neeme Järvi | G Major | 1 | 9B | 86 BPM | ||
Prayer | Ernest Bloch, The Chamber Orchestra Kremlin | F♯ Minor | 0 | 11A | 112 BPM | ||
Tango für Elise | Amsterdam Loeki Stardust Quartet | A Minor | 0 | 8A | 129 BPM | ||
Oboe Concerto in D Minor, Arr. for Harp and Strings: II. Andante | Alessandro Marcello, Xavier De Maistre | D Minor | 1 | 7A | 87 BPM | ||
City | kickslayer, Lennon, Wonder Kings | C Major | 8 | 8B | 120 BPM | ||
Concerto No. 2, "As Above so Below": I. Folia - Collage After Cantata "Ich hatte viel Bekümmernis" BWV 21, Prelude C Minor, Welltempered Clavier Book I, BWV 847 Chorus 2d, "Jesum von Nazareth", Johannes-Passion, BWV 245 | Arash Safaian, Sebastian Knauer, Pascal Schumacher, Zürcher Kammerorchester | G Minor | 4 | 6A | 96 BPM | ||
Ab Ovo (Arr. by Knoth) | Signum Saxophone Quartet | A Minor | 0 | 8A | 67 BPM |
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