Sergei Rachmaninoff, Dmitri Alexeev's 'Rachmaninov: 12 Romances, Op. 21: No. 5, Lilacs (Version for Piano)' came out on January 1, 1993. The duration of Rachmaninov: 12 Romances, Op. 21: No. 5, Lilacs (Version for Piano) is about two minutes long, specifically at 2:46. This song does not appear to have any foul language. Rachmaninov: 12 Romances, Op. 21: No. 5, Lilacs (Version for Piano)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 39 in the song's album "Rachmaninov: Preludes, Op. 23 & 32 - Moments musicaux, Op. 16 - Morceaux de fantaisie, Op. 3". In this album, this song's track order is #17. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Rachmaninov: 12 Romances, Op. 21: No. 5, Lilacs (Version for Piano)'s popularity is not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.
With Rachmaninov: 12 Romances, Op. 21: No. 5, Lilacs (Version for Piano) by Sergei Rachmaninoff, Dmitri Alexeev having a BPM of 143 with a half-time of 72 BPM and a double-time of 286 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 5/4.
This song has a musical key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Solfeggio in C Minor, Wq. 117/2, H. 220 | Carl Philipp Emanuel Bach, Matthias Veit | F Minor | 1 | 4A | 77 BPM | ||
Schubert: 4 Impromptus, Op. 90, D. 899: No. 3 in G-Flat Major | Franz Schubert, Rudolf Buchbinder | G Major | 0 | 9B | 135 BPM | ||
Adagio in F, H.XVII No.9 | Franz Joseph Haydn, Alfred Brendel | F Major | 0 | 7B | 71 BPM | ||
Mazurka in C Major | Mikhail Glinka, Inga Fiolia | A Minor | 0 | 8A | 69 BPM | ||
Antiche danze ed arie per liuto, Suite No. 3, P. 172: I. Italiana. Andantino | Ottorino Respighi, Orchestra Filarmonica Della Scala, Riccardo Chailly | B♭ Major | 1 | 6B | 172 BPM | ||
Prélude in A Minor | Maurice Ravel, Benjamin Grosvenor | G Minor | 0 | 6A | 98 BPM | ||
3 Violin Duets (1996 Digital Remaster): I. Praeludium | Pinchas Zukerman, Itzhak Perlman | B Minor | 1 | 10A | 91 BPM | ||
Rachmaninov: Polka de W. R. (After Behr’s La rieuse, Op. 303) | Sergei Rachmaninoff, Aurélien Pontier | E♭ Major | 1 | 5B | 108 BPM | ||
Concerto No. 2 for Piano and Orchestra, Op. 102 (Remastered): II. Andante | Dmitri Shostakovich, Leonard Bernstein | F Major | 1 | 7B | 172 BPM | ||
Nocturne No. 5 in B Flat Major, H.37 | John Field, Elizabeth Joy Roe | B♭ Major | 0 | 6B | 65 BPM |
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